| Disc 1 |
| 1 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 1 “Come, ye daughters” | | 7:47 |
| 2 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 2 “When Jesus had finished” (recitative: Evangelist, Jesus) | | 0:58 |
| 3 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 3 “O blessed Jesu” | | 1:19 |
| 4 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 4 “Then assembled the chief priests” (recitative: Evangelist) | | 0:32 |
| 5 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 5 “Not upon the feast” | | 0:13 |
| 6 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 13 “Now on the first day” (recitative: Evangelist) | | 0:15 |
| 7 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 14 “Where wilt thou” | | 0:17 |
| 8 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 15 “He said: Go ye into the city” (recitative: Evangelist, Jesus) | | 1:53 |
| 10 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 16 “’Tis I who should be sharing” | | 1:17 |
| 11 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 17 “He answered them, and said” (recitative: Evangelist, Jesus) | | 3:52 |
| 12 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 18 “Although my heart and eyes o’erflow” (accompanied recitative: soprano) | | 1:43 |
| 13 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 19 “Lord, to Thee my heart I proffer” (aria: soprano) | | 3:25 |
| 14 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 20 “And when they had sung” (recitative: Evangelist, Jesus) | | 1:23 |
| 15 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 21 “Acknowledge me, my Keeper” | | 1:40 |
| 16 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 22 “Then answered Peter” (recitative: Evangelist, Peter, Jesus) | | 1:27 |
| 17 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 23 “Near thee I would be staying” | | 1:53 |
| 18 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 24 “Then cometh Jesus with them” (recitative: Evangelist, Jesus) | | 2:00 |
| 19 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 25 “O grief, how throbs” (accompanied recitative: tenor) | | 3:07 |
| 20 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 26 “I would beside my Lord be watching” (aria: tenor) | | 5:06 |
| 21 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 27 “And he went a little farther” (recitative: Evangelist, Jesus) | | 1:01 |
| 22 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 28 “The Saviour, low before his Father bending” (accompanied recitative: bass) | | 1:32 |
| 23 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 29 “Gladly would I be enduring” (aria: bass) | | 4:29 |
| 24 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 30 “And He came to his disciples” (recitative: Evangelist, Jesus) | | 1:43 |
| 25 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 31 “The will of God be always done” | | 1:36 |
| 26 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 32 “And He came again” (recitative: Evangelist, Jesus, Judas) | | 3:01 |
| 27 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 33 “Behold, my Saviour now is taken” (duet: soprano and alto) | | 4:49 |
| 28 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 34 “And behold, one of them” (Recitative: Evangelist, Jesus) | | 1:51 |
| 29 | The Passion of Our Lord According to St. Matthew, BWV 244: Part I, no. 35 “O Man, bewail thy grievous sin!” | | 8:34 |
| 30 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 36 “Ah! Now is my Saviour gone.” | | 4:06 |
| 31 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 37 “And they that laid hold on Jesus” (recitative: Evangelist, 1st and 2nd maids, Peter) | | 1:20 |
| 32 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 46 “Truly, thou also art one of them” | | 0:10 |
| 33 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 46 “And then did he begin to curse and to swear” (recitative: Evangelist, Peter) | | 1:30 |
| Disc 2 |
| 1 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 47 “Have pity, Lord, on me” | | 6:38 |
| 2 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 53 “Whate’er may vex or grieve thee” | | 1:50 |
| 3 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 54 “Now at that feast” (recitative: Evangelist, Pilate) | | 0:48 |
| 4 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 54 “Barabbas!” | | 0:05 |
| 5 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 54 “Then Pilate said to them” (recitative: Evangelist, Pilate) | | 0:16 |
| 6 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 54 “Let him be crucified” | | 0:21 |
| 7 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 56 “The governor answered” (recitative: Evangelist, Pilate) | | 0:14 |
| 8 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 57 “To all men Jesu good hath done” (accompanied recitative: soprano) | | 1:30 |
| 9 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 58 “In love my Saviour now is dying” (aria: soprano) | | 5:29 |
| 10 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 59 “But they cried out the more” (recitative: Evangelist) | | 0:04 |
| 11 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 59 “Let him be crucified” | | 0:20 |
| 12 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 59 “Then released he Barabbas” (recitative: Evangelist) | | 0:27 |
| 13 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 60 “O gracious God” | | 1:39 |
| 14 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 62 “And then did the soldiers of the governor” (recitative: Evangelist) | | 0:39 |
| 15 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 62 “We hail Thee, King of the Jews” | | 0:10 |
| 16 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 62 “And then they spat on Him” (recitative: Evangelist) | | 0:19 |
| 17 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 63 “O Thou, with hate surrounded” | | 3:28 |
| 18 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 64 “And after they had mocked Him” (recitative: Evangelist) | | 2:24 |
| 19 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 69 “Ah, Golgotha!” | | 1:34 |
| 20 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 70 “Look ye, Jesu waiting stands” | | 3:11 |
| 21 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 71 “Now from the sixth hour” (recitative: Evangelist, Jesus) | | 1:26 |
| 22 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 71 “He calleth for Elijah” | | 0:04 |
| 23 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 71 “And straightaway one of them ran” (recitative: Evangelist) | | 0:17 |
| 24 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 71 “Wait, and see if Elijah cometh to save Him” | | 0:07 |
| 25 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 71 “And again Jesus cried aloud” (recitative: Evangelist) | | 0:28 |
| 26 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 72 “When I too am departing” | | 2:23 |
| 27 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 73 “And then, behold, the veil of the temple” (accompanied recitative: Evangelist) | | 1:22 |
| 28 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 73 “Truly, this was the Son of God” | | 0:29 |
| 29 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 73 “At eventide there came a rich man” (recitative: Evangelist) | | 0:43 |
| 30 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 74 “At evening, hour of calm and peace” (accompanied recitative: bass) | | 2:21 |
| 31 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 75 “Make thee clean, my heart, from sin” (aria: bass) | | 7:08 |
| 32 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 77 “And now the Lord to rest is laid” | | 2:53 |
| 33 | The Passion of Our Lord According to St. Matthew, BWV 244: Part II, no. 78 “In deepest grief, here sit we weeping” | | 9:12 |
| 34 | Leonard Bernstein discusses the material and dramatic structure of the St. Matthew Passion | | 16:15 |
| Disc 3 |
| 1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison" | | 3:37 |
| 2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison" | | 1:46 |
| 3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison" | | 4:08 |
| 4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo" | | 4:32 |
| 5 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi" | | 5:59 |
| 6 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus" | | 6:23 |
| 7 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum" | | 4:12 |
| 8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est" | | 2:20 |
| 9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus" | | 3:04 |
| 10 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit" | | 1:21 |
| 11 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum" | | 1:26 |
| 12 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi" | | 6:50 |
| 13 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus" | | 3:16 |
| 14 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli" | | 1:10 |
| 15 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo | | 2:20 |
| 16 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit" | | 9:53 |
| Disc 4 |
| 1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi" | | 6:36 |
| 2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem" | | 8:23 |
| 3 | Fantasy for Piano, Chorus and Orchestra in C minor, Op 80: I. Adagio / II. Finale (introduction) | | 2:53 |
| 4 | Fantasy for Piano, Chorus and Orchestra in C minor, Op 80: II. Finale (conclusion). Allegro - Allegretto ma non troppo, quasi Andante con moto | | 15:27 |
| 5 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": I. "Kyrie" | | 5:11 |
| 6 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIa. Gloria: "Gloria in excelsis Deo" | | 2:42 |
| 7 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIb. Gloria: "Gratias agimus" | | 6:27 |
| 8 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIc. Gloria: "Quoniam tu solus sanctus" | | 2:59 |
| 9 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIa. Credo: "Credo in unum Deum" | | 1:59 |
| 10 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIb. Credo: "Et incarnatus est" - "Et resurrexit" | | 8:51 |
| 11 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IV. "Sanctus" | | 2:10 |
| 12 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": V. "Benedictus" | | 6:13 |
| 13 | Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": VI. "Agnus Dei" | | 6:48 |
| Disc 5 |
| 1 | Requiem, op. 5 "Grande Messe des Morts": I. Requiem et Kyrie. Introitus. Andante un poco lento | | 11:59 |
| 2 | Requiem, op. 5 "Grande Messe des Morts": II. Dies irae. Moderato | | 5:29 |
| 3 | Requiem, op. 5 "Grande Messe des Morts": II. Dies Irae. Andante maestoso (Tuba mirum) | | 7:17 |
| 4 | Requiem, op. 5 "Grande Messe des Morts": III. Quid sum miser. Andante un poco lento | | 4:02 |
| 5 | Requiem, op. 5 "Grande Messe des Morts": IV. Rex tremendae. Andante maestoso | | 6:17 |
| 6 | Requiem, op. 5 "Grande Messe des Morts": V Quarens me. Andante sostenuto | | 5:21 |
| 7 | Requiem, op. 5 "Grande Messe des Morts": VI. Lacrymosa. Andante non troppo lento | | 9:38 |
| 8 | Requiem, op. 5 "Grande Messe des Morts": VII. Offertorium. Moderato | | 9:51 |
| 9 | Requiem, op. 5 "Grande Messe des Morts": VIII. Hostias. Andante non troppo lento | | 3:34 |
| 10 | Requiem, op. 5 "Grande Messe des Morts": IX. Sanctus. Andante un poco sostenuto e maestoso | | 11:07 |
| Disc 6 |
| 1 | Requiem, op. 5 "Grande Messe des Morts": X. Agnus Dei. Andante un poco lento | | 11:58 |
| 2 | Shéhérazade, M. 41: I. Asie | | 9:36 |
| 3 | Shéhérazade, M. 41: II. La flûte enchantée | | 2:48 |
| 4 | Shéhérazade, M. 41: III. L’Indifférent | | 4:14 |
| 5 | La Mort de Cléopâtre, H. 36: Scena lirica. Allegro vivace con impeto - | | 1:26 |
| 6 | La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo: "C’en est donc fait !". Moderato - | | 2:06 |
| 7 | La Mort de Cléopâtre, H. 36: Scena lirica. Lento cantabile - "Ah ! qu’ils sont loin ces jours" - | | 6:10 |
| 8 | La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo "Au comble des revers". Moderato - | | 1:15 |
| 9 | La Mort de Cléopâtre, H. 36: Méditation. Largo misterioso - "Grands Pharaons" - | | 4:29 |
| 10 | La Mort de Cléopâtre, H. 36: Méditation. Allegro assai agitato - "Non !... non, de vos demeures" - | | 2:49 |
| 11 | La Mort de Cléopâtre, H. 36: Méditation. Allegro non troppo - Recitativo misurato "Dieux du Nil" | | 3:07 |
| Disc 7 |
| 1 | Trouble in Tahiti: Prelude. “Daa / Doa Day” ... “Morning' sun kisses the windows” (Trio) | | 3:13 |
| 2 | Trouble in Tahiti: Scene I. “How could you say the thing that you did” (Sam, Dinah, Trio) | | 5:32 |
| 3 | Trouble in Tahiti: Scene 2. "Yes? Oh, Mister Partridge" | | 3:04 |
| 4 | Trouble in Tahiti: Scene III. “I was standing in a garden” (Dinah, Sam) | | 4:35 |
| 5 | Trouble in Tahiti: Scene IIIa. “Then desire took hold inside me” (Dinah) | | 2:47 |
| 6 | Trouble in Tahiti: Scene IV. “Well, of all people” ... “I'm on my way” (Sam, Dinah) | | 6:31 |
| 7 | Trouble in Tahiti: Interlude. “Skid a lit day” (Trio) | | 1:46 |
| 8 | Trouble in Tahiti: Scene 5. "There's a law" | | 4:23 |
| 9 | Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | | 4:39 |
| 10 | Trouble in Tahiti: Scene VIa. “There's a law that a man has to pay for what he gets” (Sam) | | 0:38 |
| 11 | Trouble in Tahiti: Scene VII. “Evenin' shadows are spreadin' softly” (Trio, Sam, Dinah) | | 7:16 |
| 12 | Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete) | | 3:32 |
| 13 | Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4) | | 5:35 |
| 14 | Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1) | | 9:12 |
| 15 | I Hate Music: I. My Name Is Barbara. Moderato | | 0:57 |
| 16 | I Hate Music: II. Jupiter Has Seven Moons. Allegretto vivace | | 1:19 |
| 17 | I Hate Music: III. I Hate Music! Sostenuto – Allegro molto – Tempo I | | 1:37 |
| 18 | I Hate Music: IV. A Big Indian and a Little Indian (Riddle Song). Con brio | | 0:43 |
| 19 | I Hate Music: V. I’m a Person Too. Moderato, alla marcia – Andante – Tempo I | | 1:56 |
| 20 | La Bonne Cuisine: I. Plum Pudding | | 0:46 |
| 21 | La Bonne Cuisine: II. Queues de bœuf | | 0:50 |
| 22 | La Bonne Cuisine: III. Taveuk Gueunksis | | 1:09 |
| 23 | La Bonne Cuisine: IV. Civet à toute vitesse | | 1:15 |
| Disc 8 |
| 1 | Mass: I. Devotions before Mass: 1. Antiphon: Kyrie eleison | | 1:57 |
| 2 | Mass: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song" | | 4:43 |
| 3 | Mass: I. Devotions before Mass: 3. Responsory: Alleluia | | 1:09 |
| 4 | Mass: II. First Introit (Rondo): 1. Prefatory Prayers | | 5:14 |
| 5 | Mass: II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum | | 0:35 |
| 6 | Mass: III. Second Introit: 1. In nomine Patris | | 2:01 |
| 7 | Mass: III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father") | | 1:30 |
| 8 | Mass: III. Second Introit: 3. Epiphany | | 0:58 |
| 9 | Mass: IV. Confession: 1. Confiteor | | 2:19 |
| 10 | Mass: IV. Confession: 2. Trope: "I Don't Know" | | 1:42 |
| 11 | Mass: IV. Confession: 3. Trope: "Easy" | | 5:15 |
| 12 | Mass: V. Meditation No. 1 | | 5:09 |
| 13 | Mass: VI. Gloria: 1. Gloria tibi | | 1:48 |
| 14 | Mass: VI. Gloria: 2. Gloria in excelsis | | 1:14 |
| 15 | Mass: VI. Gloria: 3. Trope: "Half of the People | | 0:58 |
| 16 | Mass: VI. Gloria: 4. Trope: "Thank You" | | 2:46 |
| 17 | Mass: VII. Meditation No. 2 | | 3:57 |
| 18 | Mass: VIII. Epistle: "The Word of the Lord" | | 5:57 |
| 19 | Mass: IX. Gospel-Sermon: "God Said" | | 5:02 |
| Disc 9 |
| 1 | Mass: X. Credo: 1. Credo in unum Deum | | 1:06 |
| 2 | Mass: X. Credo: 2. Trope: "Non Credo" | | 2:15 |
| 3 | Mass: X. Credo: 3. Trope: "Hurry" | | 1:20 |
| 4 | Mass: X. Credo: 4. Trope: "World Without End" | | 1:44 |
| 5 | Mass: X. Credo: 5. Trope: "I Believe In God" | | 2:10 |
| 6 | Mass: XI. Meditation No. 3: (De profundis, part 1) | | 2:50 |
| 7 | Mass: XII. Offertory: (De profundis, part 2) | | 2:01 |
| 8 | Mass: XIII. The Lord's Prayer: 1. Our Father | | 1:47 |
| 9 | Mass: XIII. The Lord's Prayer: 2. Trope: "I Go On" | | 2:35 |
| 10 | Mass: XIV. Sanctus: "Holy! Holy! Holy!..." | | 5:14 |
| 11 | Mass: XV. Agnus Dei | | 7:06 |
| 12 | Mass: XVI. Fraction: "Things Get Broken" | | 14:23 |
| 13 | Mass: XVII. Pax: Communion: "Secret Songs" | | 9:53 |
| Disc 10 |
| 1 | Sacred Service: Meditation (Prelude). Moderato - Ma Tovu. Poco meno mosso | | 5:05 |
| 2 | Sacred Service: Borechu. Moderato - Shema Yisroel. Moderato | | 1:23 |
| 3 | Sacred Service: Andante moderato - Ve'ohavto. Tranquillo - Moderato | | 2:12 |
| 4 | Sacred Service: Mi Chomochoh. Allegro moderato | | 1:51 |
| 5 | Sacred Service: Tzur Yisroel (Traditional). Andante molto moderato | | 1:43 |
| 6 | Sacred Service: Nekadeish. Moderato | | 5:13 |
| 7 | Sacred Service: Silent Devotion (Prelude) and Response. Andante moderato - Yih'yu Letrotzon. Andante moderato | | 4:53 |
| 8 | Sacred Service: Taking the Scroll from the Ark (Interlude). Quieto - Toroh Tzivoh. Quieto | | 4:21 |
| 9 | Sacred Service: Return the Scroll to the Ark. Moderato - Gad'lu ladonoy. Moderato | | 3:41 |
| 10 | Sacred Service: Eitz Chayim (Peace Song). Molto quieto | | 3:58 |
| 11 | Sacred Service: Va'anachnu (Adoration). Andante moderato | | 5:57 |
| 12 | Sacred Service: "Kaddish" Prayer (Memorial Service, spoken) Poco più lento - Tzur Yisroel. Poco più lento | | 10:01 |
| 13 | Sacred Service: Yevorechechoh Adonoy (Benediction). Molto moderato | | 2:10 |
| Disc 11 |
| 1 | In the Beginning | | 16:29 |
| 2 | The Second Hurricane (A Play Opera in Two Acts): Act I: Choral Overture | | 4:42 |
| 3 | The Second Hurricane (A Play Opera in Two Acts): Act I: We Don't Know, We Don't Know | | 7:34 |
| 4 | The Second Hurricane (A Play Opera in Two Acts): Act I: What's Happened, Where Are They? | | 2:29 |
| 5 | The Second Hurricane (A Play Opera in Two Acts): Act I: Gyp's Song | | 4:45 |
| 6 | The Second Hurricane (A Play Opera in Two Acts): Act I: How Childish They Are | | 6:43 |
| 7 | The Second Hurricane (A Play Opera in Two Acts): Act I: Like A Giant Bomb | | 1:01 |
| 8 | The Second Hurricane (A Play Opera in Two Acts): Act II: Introduction | | 2:35 |
| 9 | The Second Hurricane (A Play Opera in Two Acts): Act II: Two Willow Hill | | 3:56 |
| 10 | The Second Hurricane (A Play Opera in Two Acts): Act II: Sextet | | 3:03 |
| 11 | The Second Hurricane (A Play Opera in Two Acts): Act II: Jeff's Song | | 0:55 |
| 12 | The Second Hurricane (A Play Opera in Two Acts): Act II: Queenie's Song | | 3:14 |
| 13 | The Second Hurricane (A Play Opera in Two Acts): Act II: The Capture of Burgoyne | | 2:28 |
| 14 | The Second Hurricane (A Play Opera in Two Acts): Act II: Finale | | 2:59 |
| Disc 12 |
| 1 | The Martyrdom of St. Sebastian: Prologue - Gentle people, we bid you silence | | 2:01 |
| 2 | The Martyrdom of St. Sebastian: First Window: The Court of the Lilies - Twin Brothers: "Frère, Que Sera-T-Il Le Monde" | | 9:09 |
| 3 | The Martyrdom of St. Sebastian: First Window: The Court of the Lilies - "Glory! Glory To Christ The King" - Archers Of Emesa: "Sébastien ! Sébastien ! Sébastien !" | | 2:27 |
| 4 | The Martyrdom of St. Sebastian: First Window: The Court of the Lilies - Ecstatic Dance Of Sebastian On The Live Coals; "Oh, Twin Brothers, Sing Your Hymn..." - Twin Brothers: "Hymnes, Toute L'Ombre S'Efface" | | 6:49 |
| 5 | The Martyrdom of St. Sebastian: Second Window: The Magic Chamber - "Within A Vast Elliptical Vault..." | | 3:15 |
| 6 | The Martyrdom of St. Sebastian: Second Window: The Magic Chamber - Song Of The Virgin Erigone: "Je Fauchais L'Épi De Froment" | | 2:49 |
| 7 | The Martyrdom of St. Sebastian: Second Window: The Magic Chamber - "And Suddenly A New Voice Sings From Beyond The Magic Door" - Celestial Voice: "Qui Pleure Mon Enfant Si Doux" | | 5:21 |
| 8 | The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "... A Huge Gilded Hall..." | | 2:20 |
| 9 | The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Suddenly, The Emperor Speaks!" - "Hail Beauteous Youth." | | 2:44 |
| 10 | The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Intone Your Hymn!" - Chorus Of Zither-players: "Païan, Lyre D'Or" | | 2:14 |
| 11 | The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Caesar, I Refuse Your Lyre..." - The Women Of Byblos: "Ah ! Tu Pleures Le Bien-Aimé !" | | 7:51 |
| 12 | The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Who Is The Young Man So White..." - Solo Voice: "Cessez, Ô Pleureuses !" | | 3:16 |
| 13 | The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Sing! Exult!" - Chorus Of Syrians: "Io ! Io ! Adoniastes !" | | 2:20 |
| 14 | The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "He Dies, The Archer Of Lebanon." - Chorus Of Syrians: "Il Est Mort, Le Bel Adonis" | | 2:31 |
| 15 | The Martyrdom of St. Sebastian: Fourth Window: The Wounded Laurel - "But Gentle People..." | | 4:36 |
| 16 | The Martyrdom of St. Sebastian: Fourth Window: The Wounded Laurel - "I Feel In The Palm Of My Hand The Stigmata Burn..." | | 3:02 |
| 17 | The Martyrdom of St. Sebastian: Fourth Window: The Wounded Laurel - "From The Depths, Archers, I Call Upon Your Love!" - Chorus Of Syrians And The Women Of Byblos: "Hélas ! Ah ! Pleurez, Ô Femmes De Syrie" | | 5:45 |
| 18 | The Martyrdom of St. Sebastian: Fifth Window: Paradise - "A Pearly Radiance Spreads In The Sky... " | | 1:09 |
| 19 | The Martyrdom of St. Sebastian: Fifth Window: Paradise - Chorus Of Martyrs: "Gloire !" | | 5:10 |
| Disc 13 |
| 1 | Time Cycle: No. 1. We're Late | | 3:54 |
| 2 | Time Cycle: Improvised Interlude no. 1 | | 2:23 |
| 3 | Time Cycle: No. 2. When the Bells Justle | | 5:07 |
| 4 | Time Cycle: Improvised Interlude no. 2 | | 4:52 |
| 5 | Time Cycle: No. 3. Sechzehnter Januar | | 5:42 |
| 6 | Time Cycle: Improvised Interlude no. 3 | | 3:55 |
| 7 | Time Cycle: No. 4. O Mensch, gib Acht | | 5:43 |
| 8 | Song of Songs: No. 1. Awake, O North Wind | | 6:18 |
| 9 | Song of Songs: No. 2. Come, My Beloved | | 7:06 |
| 10 | Song of Songs: No. 3. By Night on My Bed | | 7:27 |
| 11 | Song of Songs: No. 4. Set Me as a Seal Upon Thine Heart | | 5:07 |
| Disc 14 |
| 1 | Messiah: Overture (Sinfonia) | | 5:51 |
| 2 | Messiah: Comfort ye, my people (Recitative - Tenor) | | 3:30 |
| 3 | Messiah: Every valley shall be exalted (Air - Tenor) | | 3:27 |
| 4 | Messiah: And the glory of the Lord (Chorus) | | 3:03 |
| 5 | Messiah: Thus saith the Lord (Recitative - Bass) | | 1:44 |
| 6 | Messiah: But who may abide (Air - Bass) | | 4:23 |
| 7 | Messiah: And He shall purify (Chorus) | | 2:36 |
| 8 | Messiah: Behold, A Virgin Shall Conceive (Recitative - Altus) | | 0:37 |
| 9 | Messiah: O thou that tellest good tidings to Zion (Air - Altus) | | 5:23 |
| 10 | Messiah: For unto us a child is born (Chorus) | | 3:52 |
| 11 | Messiah: Pastoral Symphony (Pifa) | | 3:57 |
| 12 | Messiah: There were shepherds (Recitative - Soprano) | | 0:20 |
| 13 | Messiah: And, lo! the angel of the Lord came upon them (Recitative - Soprano) | | 0:29 |
| 14 | Messiah: And the angel said unto them (Recitative - Soprano) | | 0:48 |
| 15 | Messiah: And suddenly there was with the angel (Recitative - Soprano) | | 0:16 |
| 16 | Messiah: Glory To God (Chorus) | | 1:51 |
| 17 | Messiah: Rejoice Greatly, O Daughter Of Zion (Air - Soprano) | | 5:10 |
| 18 | Messiah: Then shall the eyes of the blind be opened (Recitative - Countertenor) | | 0:38 |
| 19 | Messiah: He shall feed His flock (Air - Countertenor and Soprano) | | 6:40 |
| 20 | Messiah: Lift Up Your Heads (Chorus) | | 3:03 |
| 21 | Messiah: Why do the nations (Air - Bass) | | 2:35 |
| 22 | Messiah: Let us break their bonds asunder (Chorus) | | 1:48 |
| 23 | Messiah: He That Dwelleth In Heaven (Reciatative - Tenor) | | 0:19 |
| 24 | Messiah: Thou Shalt Break Them (Air - Tenor) | | 2:07 |
| 25 | Messiah: Hallelujah Chorus | | 4:48 |
| Disc 15 |
| 1 | Messiah: Behold the Lamb of God (Chorus) | | 4:08 |
| 2 | Messiah: He Was Despised (Air - Altus) | | 6:17 |
| 3 | Messiah: And with His stripes we are healed (Chorus) | | 3:51 |
| 4 | Messiah: All We Like Sheep Have Gone Astray (Chorus) | | 4:31 |
| 5 | Messiah: All They That See Him (Recitative - Tenor) | | 0:50 |
| 6 | Messiah: He Trusted In God (Chorus) | | 2:16 |
| 7 | Messiah: Thy Rebuke Hath Broken His Heart (Recitative - Tenor) | | 2:00 |
| 8 | Messiah: Behold, and see if there be any sorrow (Air - Tenor) | | 2:01 |
| 9 | Messiah: He Was Cut Off (Recitative - Soprano) | | 0:32 |
| 10 | Messiah: I know that my redeemer liveth (Air - Soprano) | | 8:05 |
| 11 | Messiah: Since By Man Came Death (Chorus) | | 2:09 |
| 12 | Messiah: Behold, I Tell You A Mystery (Recitative - Bass) | | 0:58 |
| 13 | Messiah: The Trumpet Shall Sound (Air - Bass) | | 3:58 |
| 14 | Messiah: Worthy is the Lamb; Blessing and honour, glory and power, be unto Him (Chorus) | | 7:17 |
| Disc 16 |
| 1 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: Overture | | 6:10 |
| 2 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: Recitative: “From harmony” (tenor) | | 0:23 |
| 3 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 1 Accompanied Recitative: “When Nature” (tenor) | | 3:32 |
| 4 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 2: “From harmony, from heav'nly harmony” (chorus) | | 4:02 |
| 5 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 3 Aria: “What passion cannot Music raise” (soprano) | | 9:35 |
| 6 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 4: “The trumpet's loud clangour” (tenor, chorus) | | 4:47 |
| 7 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 5: March | | 2:10 |
| 8 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 6a Aria: “The soft complaining flute” (soprano) | | 6:14 |
| 9 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 7 Aria: “Sharp violins proclaim their jealous pangs” (tenor) | | 5:39 |
| 10 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 8 Aria: “But oh! what art can teach” (soprano, organ obbligato) | | 5:16 |
| 11 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 9 Aria: “Orpheus could lead the savage race” (soprano) | | 2:32 |
| 12 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 10 Accompanied Recitative: “But bright Cecilia” (soprano) | | 0:49 |
| 13 | Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 11: “As from the pow'r of sacred lays” (soprano, chorus) | | 9:06 |
| Disc 17 |
| 1 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: I. Einleitung: Die Vorstellung des Chaos / Recitativ mit Chor: Im Anfange schuf Gott Himmel und Erde | | 9:16 |
| 2 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: II. Arie mit Chor: Nun schwanden vor dem heiligen Strahle - Verzweiflung, Wut und Schrecken | | 3:42 |
| 3 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: III. Rezitativ: Und Gott machte das Firmament | | 2:08 |
| 4 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IV. Solo mit Chor: Mit Staunen sieht das Wunderwerk / Und laut ertönt aus ihren Kehlen | | 1:43 |
| 5 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: V. Rezitativ: Und Gott sprach: Es sammle sich das Wasser | | 0:49 |
| 6 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VI. Arie: Rollend in schäumenden Wellen | | 3:45 |
| 8 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VIII. Arie: Nun beut die Flur das frische Grün | | 5:18 |
| 9 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IX. Rezitativ: Und die himmlischen Heerscharen verkündigten | | 0:14 |
| 10 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: X. Chor: Stimmt and die Saiten | | 2:06 |
| 11 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XI. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels | | 0:44 |
| 12 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XII. Rezitativ: In vollem Glanze steiget jetzt | | 2:46 |
| 13 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XIII. Terzett mit Chor: Die Himmel erzählen die Ehre Gottes / Dem kommenden Tage sagt es der Tag | | 4:47 |
| 14 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: I. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor | | 0:39 |
| 15 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: II. Arie: Auf starkem Fittiche schwinget sich der Adler stolz | | 6:18 |
| 16 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: III. Rezitativ: Und Gott schuf große Walfische | | 2:43 |
| 17 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IV. Rezitativ: Und die Engel rührten ihr' unsterblichen Harfen | | 0:30 |
| 18 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: V. Terzett: In holder Anmut stehn | | 4:23 |
| 19 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VI. Terzett mit Chor: Der Herr ist groß in seiner Macht | | 2:22 |
| 20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VII. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe | | 0:35 |
| 21 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VIII. Rezitativ: Gleich öffnet sich der Erde Schoß | | 3:10 |
| 22 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IX. Arie: Nun scheint in vollem Glanze der Himmel | | 2:56 |
| 23 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: X. Rezitativ: Und Gott schuf den Menschen | | 0:51 |
| 24 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XI. Arie: Mit Würd' und Hoheit angetan | | 3:24 |
| 25 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XII. Rezitativ: Und Gott sah jedes Ding | | 0:29 |
| 26 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIII. Chor: Vollendet ist das große Werk | | 1:27 |
| 27 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIV. Terzett: Zu dir, o Herr, blickt alles auf | | 4:48 |
| 28 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XV. Chor: Vollendet ist das große Werk | | 2:54 |
| Disc 18 |
| 1 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: I. Rezitativ: Aus Rosenwolken bricht | | 5:04 |
| 2 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: II. Duett mit Chor: Von deiner Güt', o Herr und Gott | | 9:13 |
| 3 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: III. Rezitativ: Nun ist die erste Pflicht erfüllt | | 2:24 |
| 4 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: IV. Duett: Holde Gattin, dir zur Seite | | 8:28 |
| 5 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: V. Rezitativ: O glücklich Parr, und glücklich immerfort | | 0:26 |
| 6 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: VI. Schlußchor (mit Soli): "Singt dem Herren, alle Stimmen! | | 3:23 |
| 7 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: I. Kyrie: “Kyrie eleison”. Poco Adagio | | 8:47 |
| 8 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gloria in excelsis Deo”. Vivace assai | | 2:02 |
| 9 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gratias agimus tibi”. Allegretto | | 6:16 |
| 10 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Quoniam tu solus sanctus”. Allegro spiritoso | | 3:25 |
| 11 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Credo in unum Deum”. Vivace | | 2:42 |
| 12 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et incarnatus est”. Adagio | | 3:43 |
| 13 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et ressurrexit”. Vivace | | 2:41 |
| 14 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et vitam venturi”. Vivace | | 1:47 |
| 15 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: IV. Sanctus: “Sanctus, sanctus”. Adagio - Allegro | | 3:29 |
| 16 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: V. Benedictus: “Benedictus qui venit”. Allegro molto - Allegro | | 4:09 |
| 17 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Agnus Dei”. Adagio | | 3:07 |
| Disc 19 |
| 1 | Missa in tempore belli in C major, Hob. XXII:9: I. Kyrie: Kyrie eleison. Largo – Allegro moderato | | 5:17 |
| 2 | Missa in tempore belli in C major, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo. Vivace | | 2:40 |
| 3 | Missa in tempore belli in C major, Hob. XXII:9: Qui tollis peccata mundi. Adagio | | 6:47 |
| 4 | Missa in tempore belli in C major, Hob. XXII:9: Quoniam tu solus sanctus. Allegro | | 2:20 |
| 5 | Missa in tempore belli in C major, Hob. XXII:9: III. Credo: Credo in unum Deum. Allegro | | 1:18 |
| 6 | Missa in tempore belli in C major, Hob. XXII:9: Et incarnatus est. Adagio | | 4:43 |
| 7 | Missa in tempore belli in C major, Hob. XXII:9: Et resurrexit. Allegro | | 2:05 |
| 8 | Missa in tempore belli in C major, Hob. XXII:9: Et vitam venturi. Vivace | | 2:33 |
| 9 | Missa in tempore belli in C major, Hob. XXII:9: IV. Sanctus: Sanctus, sanctus. Adagio / Pleni sunt caeli. Allegro con spirito | | 3:02 |
| 10 | Missa in tempore belli in C major, Hob. XXII:9: V. Benedictus: Benedictus qui venit. Andante | | 6:34 |
| 11 | Missa in tempore belli in C major, Hob. XXII:9: VI. Agnus Dei: Agnus Dei, qui tollis peccata mundi. Adagio | | 3:25 |
| 12 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Dona nobis pacem”. Allegro con spirito | | 3:05 |
| Disc 20 |
| 1 | Missa in angustiis in D minor, Hob. XXII:11: I. Kyrie: Kyrie eleison. Allegro moderato | | 4:15 |
| 2 | Missa in angustiis in D minor, Hob. XXII:11: II. Gloria: Gloria in excelsis Deo. Allegro | | 3:19 |
| 3 | Missa in angustiis in D minor, Hob. XXII:11: Qui tollis peccata mundi. Adagio | | 6:24 |
| 4 | Missa in angustiis in D minor, Hob. XXII:11: Quoniam tu solus sanctus. Allegro | | 2:39 |
| 5 | Missa in angustiis in D minor, Hob. XXII:11: III. Credo: Credo in unum Deum. Allegro con spirito | | 2:08 |
| 6 | Missa in angustiis in D minor, Hob. XXII:11: Et incarnatus est. Largo | | 4:56 |
| 7 | Missa in angustiis in D minor, Hob. XXII:11: Et resurrexit. Vivace | | 3:35 |
| 8 | Missa in angustiis in D minor, Hob. XXII:11: IV. Sanctus: Sanctus, sanctus. Adagio – Allegro / Pleni sunt caeli. (Allegro) | | 2:47 |
| 9 | Missa in angustiis in D minor, Hob. XXII:11: V. Benedictus: Benedictus qui venit. Allegretto | | 4:57 |
| 10 | Missa in angustiis in D minor, Hob. XXII:11: Osanna in excelsis. Allegro | | 0:40 |
| 11 | Missa in angustiis in D minor, Hob. XXII:11: VI. Agnus Dei: Agnus Dei, qui tollis peccata mundi. Adagio | | 4:06 |
| 12 | Missa in angustiis in D minor, Hob. XXII:11: Dona nobis pacem. Vivace | | 2:40 |
| 13 | Magnificat in D Major, BWV 243: No. 1 Chorus: Magnificat | | 3:34 |
| 14 | Magnificat in D Major, BWV 243: No. 2 Aria: Ex exultavit | | 2:28 |
| 15 | Magnificat in D Major, BWV 243: No. 3 Aria: Quia respexit humilitatem - Chorus: Omnes generationes | | 4:45 |
| 16 | Magnificat in D Major, BWV 243: No. 4 Aria: Quia fecit mihi magna | | 2:08 |
| 17 | Magnificat in D Major, BWV 243: No. 5 Duet: Et misericordia | | 4:29 |
| 18 | Magnificat in D Major, BWV 243: No. 6 Chorus: Fecit potentiam | | 2:13 |
| 19 | Magnificat in D Major, BWV 243: No. 7 Aria: Deposuit potentes | | 1:53 |
| 20 | Magnificat in D Major, BWV 243: No. 8 Aria: Esurientes implevit bonis | | 3:02 |
| 21 | Magnificat in D Major, BWV 243: No. 9 Trio: Suscepit Israel | | 2:12 |
| 22 | Magnificat in D Major, BWV 243: No. 10 Chorus: Sicut locutus est - Gloria Patri | | 4:27 |
| Disc 21 |
| 1 | Glagolitic Mass, JW 3/9: Introduction | | 3:21 |
| 2 | Glagolitic Mass, JW 3/9: Kyrie | | 3:24 |
| 3 | Glagolitic Mass, JW 3/9: Gloria | | 6:01 |
| 4 | Glagolitic Mass, JW 3/9: Credo | | 12:01 |
| 5 | Glagolitic Mass, JW 3/9: Sanctus | | 6:18 |
| 6 | Glagolitic Mass, JW 3/9: Agnus Dei | | 5:18 |
| 7 | Glagolitic Mass, JW 3/9: Organ Solo | | 2:44 |
| 8 | Glagolitic Mass, JW 3/9: Intrada | | 1:45 |
| 9 | Gloria, FP 177: I. Gloria. Maestoso | | 3:02 |
| 10 | Gloria, FP 177: II. Laudamus te. Très vite et joyeaux | | 2:56 |
| 11 | Gloria, FP 177: III. Domine Deus. Très lent et calme | | 4:17 |
| 12 | Gloria, FP 177: IV. Domine Fili unigenite. Très vite et joyeaux | | 1:18 |
| 13 | Gloria, FP 177: V. Domine Deus, Agnus Dei. Bien lent | | 6:16 |
| 14 | Gloria, FP 177: VI. Qui sedes ad dexteram Patris. Maestoso - Allegretto - Très calme - Extraordinairement calme | | 6:15 |
| Disc 22 |
| 1 | Symphony no. 2 “Resurrection”: I. Allegro maestoso | | 23:53 |
| 2 | Symphony no. 2 “Resurrection”: II. Andante moderato | | 12:12 |
| 3 | Symphony no. 2 “Resurrection”: III. [Scherzo]. In ruhig fließender Bewegung | | 10:49 |
| 4 | Symphony no. 2 “Resurrection”: IV. »Urlicht«. Sehr feierlich, aber schlicht | | 6:05 |
| Disc 23 |
| 1 | Symphony no. 2 “Resurrection”: V. Im Tempo des Scherzos. Wild herausfahrend | | 36:23 |
| Disc 24 |
| 1 | Das Lied von der Erde: I. Das Trinklied vom jammer der Erde | | 8:35 |
| 2 | Das Lied von der Erde: II. Der Einsame im Herbst | | 10:11 |
| 3 | Das Lied von der Erde: III. Von der Jugend | | 3:00 |
| 4 | Das Lied von der Erde: IV. Von der Schönheit | | 7:33 |
| 5 | Das Lied von der Erde: V. Der Trunkene im Frühung | | 4:10 |
| 6 | Das Lied von der Erde: VI. Der Abschied | | 30:07 |
| 7 | Symphony No. 5 in C-sharp Minor: IV. Adagietto (Recorded at RFK's Memorial Service) | | 11:16 |
| Disc 25 |
| 1 | Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n | | 6:18 |
| 2 | Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen | | 5:12 |
| 3 | Kindertotenlieder: III. Wenn dein Mütterlein | | 6:08 |
| 4 | Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen | | 3:17 |
| 5 | Kindertotenlieder: V. In diesem Wetter, in diesem Braus | | 7:45 |
| 6 | Symphony no. 2 “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend - Allegro energico. Nicht zu schnell - Wieder zurückhaltend - Langsam. Misterioso: “Auferstehn, ja auferstehn” (soprano solo, chorus) - Langsam. Nicht schleppen: “Wieder aufzublühn, wirst du gesät!” (soprano solo, chorus) - Etwas bewegter: “O glaube, mein Herz, o glaube” (mezzo-soprano solo, soprano solo, chorus) - Mit Aufschwung, aber nicht eilen: “O Schmerz! Du Alldurchdringer!” (mezzo-soprano solo, chorus, soprano solo) | | 34:24 |
| Disc 26 |
| 1 | Des Knaben Wunderhorn: Der Schildwache Nachtlied | | 5:54 |
| 2 | Des Knaben Wunderhorn: Wer hat die Liedlein Erdacht? | | 2:05 |
| 3 | Des Knaben Wunderhorn: Der Tamboursg'sell | | 5:59 |
| 4 | Des Knaben Wunderhorn: Rheinlegendchen | | 3:36 |
| 5 | Des Knaben Wunderhorn: Lied des Verfolgten im Turm | | 5:37 |
| 6 | Des Knaben Wunderhorn: Urlicht | | 6:28 |
| 7 | Des Knaben Wunderhorn: Revelge | | 5:54 |
| 8 | Des Knaben Wunderhorn: Des Antonius non Padua Fischpredigt | | 3:41 |
| 9 | Des Knaben Wunderhorn: Verlor'ne Müh' | | 2:52 |
| 10 | Des Knaben Wunderhorn: Wo die schönen Trompeten blasen | | 7:01 |
| 11 | Des Knaben Wunderhorn: Lob des hohen Verstandes | | 2:11 |
| 12 | Des Knaben Wunderhorn: Das irdische Leben | | 2:51 |
| 13 | Des Knaben Wunderhorn: Trost im Unglück | | 2:48 |
| Disc 27 |
| 1 | Kindertotenlieder No. 1 "Nun will die Sonn' so hell aufgeh'n" | | 5:59 |
| 2 | Kindertotenlieder No. 2 "Nun seh' ich wohl, warum so dunkle Flammen" | | 5:08 |
| 3 | Kindertotenlieder No. 3 "Wenn dein Mütterlein" | | 5:39 |
| 4 | Kindertotenlieder No. 4 "Oft denk' ich, sie sind nur ausgegangen" | | 2:45 |
| 5 | Kindertotenlieder No. 5 "In diesem Wetter" | | 6:33 |
| 6 | Three Rückert Songs No. 1 "Ich atmet einen linden Duft" | | 2:55 |
| 7 | Three Rückert Songs No. 2 "Ich bin der Welt abhanden gekommen" | | 6:33 |
| 8 | Des Knaben Wunderhorn: Das irdische Leben | | 2:34 |
| 9 | Three Rückert Songs No. 3 "Um mitternacht" | | 7:00 |
| Disc 28 |
| 1 | Des Knaben Wunderhorn No. 1: Der Schildwache Nachtlied | | 5:57 |
| 2 | Des Knaben Wunderhorn No. 4: Wer hat das Liedlein erdacht? | | 1:56 |
| 3 | Des Knaben Wunderhorn No. 3: Trost im Unglück | | 2:36 |
| 4 | Revelge | | 7:05 |
| 5 | Des Knaben Wunderhorn No. 9: Wo die schönen Trompeten blasen | | 6:54 |
| 6 | Des Knaben Wunderhorn No. 5: Das irdische Leben | | 2:59 |
| 7 | Des Knaben Wunderhorn No. 8: Lied des Verfolgten im Turm | | 5:11 |
| 8 | Der Tambourg'sell in D minor | | 4:58 |
| 9 | Des Knaben Wunderhorn No. 6: Des Antonius von Padua Fischpredigt | | 3:39 |
| 10 | Des Knaben Wunderhorn No. 7: Rheinlegendchen | | 3:22 |
| 11 | Des Knaben Wunderhorn No. 2: Verlorne Müh' | | 2:56 |
| 12 | Des Knaben Wunderhorn No. 11: Urlicht | | 4:48 |
| 13 | Des Knaben Wunderhorn No. 10: Lob des hohen Verstandes | | 2:30 |
| Disc 29 |
| 1 | Rückert Lieder No. 2: Ich atmet' einen linden Duft | | 3:25 |
| 2 | Rückert Lieder No. 1: Blicke mir nicht in die Lieder | | 1:34 |
| 3 | Rückert Lieder No. 3: Ich bin der Welt abhanden gekommen | | 8:05 |
| 4 | Rückert Lieder No. 4: Um Mitternacht | | 7:37 |
| 5 | Lieder und Gesänge aus der Jugendzeit, Volume III No. 4: Nicht wiedersehen! | | 5:16 |
| 6 | Lieder und Gesänge aus der Jugendzeit, Volume I No. 4: Serenade aus 'Don Juan' | | 2:04 |
| 7 | Lieder und Gesänge aus der Jugendzeit, Volume III No. 1: Zu Straßburg auf der Schanz | | 4:34 |
| 8 | Lieder und Gesänge aus der Jugendzeit, Volume III No. 3: Scheiden und Meiden | | 2:36 |
| 9 | Lieder und Gesänge aus der Jugendzeit, Volume III No. 5: Selbstgefühl | | 2:02 |
| 10 | Lieder und Gesänge aus der Jugendzeit, Volume II No. 1: Um schlimme Kinder artig zu machen | | 1:54 |
| 11 | Lieder und Gesänge aus der Jugendzeit, Volume III No. 2: Ablösung im Sommer | | 1:33 |
| 12 | Lieder und Gesänge aus der Jugendzeit, Volume I No. 5: Phantasie aus 'Don Juan' | | 2:34 |
| 13 | Lieder und Gesänge aus der Jugendzeit, Volume I No. 2: Erinnerung | | 3:15 |
| 14 | Lieder und Gesänge aus der Jugendzeit, Volume II No. 2: Ich ging mit Lust durch einen grünen Wald | | 5:19 |
| 15 | Lieder und Gesänge aus der Jugendzeit, Volume I No. 1: Frühlingsmorgen | | 2:21 |
| 16 | Lieder eines fahrenden Gesellen No. 1: Wenn mein Schatz Hochzeit macht | | 3:54 |
| 17 | Lieder eines fahrenden Gesellen No. 2: Ging heut morgen übers Feld | | 3:50 |
| 18 | Lieder eines fahrenden Gesellen No. 3: Ich hab ein glühend Messer | | 3:06 |
| 19 | Lieder eines fahrenden Gesellen No. 4: Die zwei blauen Augen | | 5:08 |
| Disc 30 |
| 1 | Les Choéphores, op. 24: I. Vocifération funèbre | | 6:22 |
| 2 | Les Choéphores, op. 24: II. Libation | | 2:54 |
| 3 | Les Choéphores, op. 24: III. Incantation | | 13:39 |
| 4 | Les Choéphores, op. 24: IV. Présages | | 3:12 |
| 5 | Les Choéphores, op. 24: V. "Exhortation" | | 2:32 |
| 6 | Les Choéphores, op. 24: VI. La justice et la lumière | | 4:46 |
| 7 | Les Choéphores, op. 24: VII. Conclusion | | 1:06 |
| 8 | Trois petites liturgies de la présence divine: I. Antienne de la conversation intérieure: Dieu présent en nous | | 10:01 |
| 9 | Trois petites liturgies de la présence divine: II. Séquence du verbe, cantique divin: Dieu présent en lui-même | | 5:44 |
| 10 | Trois petites liturgies de la présence divine: III. Psalmodie de l'ubiquité par amour: Dieu présent en toutes choses | | 15:31 |
| Disc 31 |
| 1 | Shéhérazade: Asie | | 9:34 |
| 2 | Shéhérazade: La Flûte Enchantée | | 2:56 |
| 3 | Shéhérazade: L'Indifférent | | 3:54 |
| 4 | Songs and Dances of Death: I. Trepak | | 5:32 |
| 5 | Songs and Dances of Death: II. Lullaby | | 5:37 |
| 6 | Songs and Dances of Death: III. Serenade | | 5:15 |
| 7 | Songs and Dances of Death: IV. The Field Marshal | | 6:16 |
| 8 | Hôtel, FP 107/2 | | 2:06 |
| 9 | Voyage à Paris, FP 107/4 | | 1:14 |
| 10 | C, FP 122/2 | | 3:46 |
| Disc 32 |
| 1 | Der Rosenkavalier, op. 59: Akt I. Introduktion | | 3:58 |
| 2 | Der Rosenkavalier, op. 59: Akt I. “Wie du warst! Wie du bist!” (Octavian, Marschallin) | | 8:40 |
| 3 | Der Rosenkavalier, op. 59: Akt I. “Marie Theres'!” - “Octavian!” (Octavian, Marschallin) | | 4:22 |
| 4 | Der Rosenkavalier, op. 59: Akt I. “Quinquin, es ist mein Mann!” (Marschallin, majordomo, Baron) | | 3:46 |
| 5 | Der Rosenkavalier, op. 59: Akt I. “Selbstverständlich empfängt mich Ihro Gnaden” (Baron, footmen, Marschallin, majordomo) | | 9:20 |
| 6 | Der Rosenkavalier, op. 59: Akt I. “Hat Sie schon einmal mit einem Kavalier” (Baron, Octavian, Marschallin) | | 3:10 |
| 7 | Der Rosenkavalier, op. 59: Akt I. “Nein, Er agiert mir gar zu gut!” (Marschallin, Baron, Octavian) | | 4:16 |
| 8 | Der Rosenkavalier, op. 59: Akt I. “I komm' glei” - “Drei arme adelige Waisen” (Octavian, 3 orphans, milliner, deal in animals, Marschallin, Valzacchi) | | 3:14 |
| 9 | Der Rosenkavalier, op. 59: Akt I. “Di rigori armato il seno” (singer) | | 2:06 |
| 10 | Der Rosenkavalier, op. 59: Akt I. “Als Morgengabe - ganz separatim jedoch” (Baron, notary, singer) | | 3:17 |
| 11 | Der Rosenkavalier, op. 59: Akt I. “Mein lieber Hippolyte” (Marschallin, Valzacchi, Baron, Annina) | | 4:17 |
| 12 | Der Rosenkavalier, op. 59: Akt I. “Da geht er hin” (Marschallin) | | 5:51 |
| 13 | Der Rosenkavalier, op. 59: Akt I. “Ach, du bist wieder da!” (Marschallin, Octavian)” | | 6:43 |
| 14 | Der Rosenkavalier, op. 59: Akt I. “Die Zeit, die ist ein sonderbar Ding” (Marschallin, Octavian) | | 8:14 |
| 15 | Der Rosenkavalier, op. 59: Akt I. “Ich werd' jetzt in die Kirchen gehn” (Marschallin, Octavian) | | 4:08 |
| 16 | Der Rosenkavalier, op. 59: Akt I. “Ich hab' ihn nicht einmal geküsst” (Marschallin, 4 footmen) | | 4:23 |
| Disc 33 |
| 1 | Der Rosenkavalier, op 59: Akt II. Prelude - “Ein ernster Tag, ein großer Tag!” (Faninal, duenna, majordomo) | | 2:02 |
| 2 | Der Rosenkavalier, op 59: Akt II. “In dieser feierlichen Stunde der Prüfung” (Sophie, duenna, 3 footmen) | | 4:06 |
| 3 | Der Rosenkavalier, op 59: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie) | | 8:42 |
| 4 | Der Rosenkavalier, op 59: Akt II. “Ich kenn' Ihn schon recht wohl” (Sophie, Octavian) | | 4:26 |
| 5 | Der Rosenkavalier, op 59: Akt II. “Jetzt aber kommt mein Herr Zukünftiger” (Sophie, Faninal, Baron, Octavian, duenna) | | 4:01 |
| 6 | Der Rosenkavalier, op 59: Akt II. “Eh bien! Nun plauder' Sie uns eins” (Baron, Sophie, Faninal, Octavian, duenna) | | 8:06 |
| 7 | Der Rosenkavalier, op 59: Akt II. “Wird Sie das Mannsbild da heiraten, ma cousine?” (Octavian, Sophie, majordomo, duenna) | | 6:56 |
| 8 | Der Rosenkavalier, op 59: Akt II. “Herr Baron von Lerchenau!” (Valzacchi, Annina, Baron, Sophie, Octavian) | | 4:54 |
| 9 | Der Rosenkavalier, op 59: Akt II. “Mord! Mord! Mein Blut! Zu Hilfe!” (Baron, chorus, Octavian, Sophie) | | 2:10 |
| 10 | Der Rosenkavalier, op 59: Akt II. “Herr Schwiegersohn! Wie ist Ihm denn?” (Faninal, Baron, Octavian, Sophie) | | 2:58 |
| 11 | Der Rosenkavalier, op 59: Akt II. “Blamage! Mir auseinander meine Eh'” (Faninal, Sophie, Octavian, duenna, Baron) | | 2:38 |
| 12 | Der Rosenkavalier, op 59: Akt II. “Is gut! Is gut! Ein Schluck von was zum Trinken!” (Baron, Faninal) | | 2:28 |
| 13 | Der Rosenkavalier, op 59: Akt II. “Da lieg' ich!” (Baron, chorus) | | 5:42 |
| 14 | Der Rosenkavalier, op. 59: Akt II. "Ohne mich, ohne mich, jeder Tag dir zu bang" (Baron, Annina) | | 6:24 |
| Disc 34 |
| 1 | Der Rosenkavalier, op. 59: Akt III. Prelude and Pantomime | | 7:11 |
| 2 | Der Rosenkavalier, op. 59: Akt III. “Hab'n Euer Gnaden noch weitre Befehle?” (landlord, waiters, Baron) | | 2:42 |
| 3 | Der Rosenkavalier, op. 59: Akt III. “Nein, nein, nein, nein! I trink' kein Wein” (Octavian, Baron) | | 8:06 |
| 4 | Der Rosenkavalier, op. 59: Akt III. “Es is ja eh all's eins, es is ja eh all's eins” (Octavian, Baron) | | 3:18 |
| 5 | Der Rosenkavalier, op. 59: Akt III. “Da und da und da und da!” (Baron, Annina, Octavian, waiters, landlord, 4 children, Valzacchi) | | 3:20 |
| 6 | Der Rosenkavalier, op. 59: Akt III. “Halt! Keiner rührt sich! Was ist los?” (police commissioner, Baron, landlord, Valzacchi, Octavian) | | 2:29 |
| 7 | Der Rosenkavalier, op. 59: Akt III. “Zur Stelle! Was wird von mir gewünscht?” (Faninal, Baron, police commissioner, 4 children, chorus, Sophie) | | 3:49 |
| 8 | Der Rosenkavalier, op. 59: Akt III. “Sind desto eher im klaren. Ich zahl', i geh'!” (Baron, police commissioner, Octavian, landlord) | | 1:53 |
| 9 | Der Rosenkavalier, op. 59: Akt III. “Bin glücklich über Maßen” (Baron, Octavian, Marschallin, police commissioner, Sophie) | | 2:52 |
| 10 | Der Rosenkavalier, op. 59: Akt III. “Lass Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin, Baron, police commissioner, Sophie, Octavian) | | 8:05 |
| 11 | Der Rosenkavalier, op. 59: Akt III. “Leopold, wir gehn!” (Baron, Annina, 4 children, waiters, landlord, Valzacchi, chorus) | | 2:16 |
| 12 | Der Rosenkavalier, op. 59: Akt III. “Mein Gott, es war nicht mehr als eine Farce” (Sophie, Octavian, Marschallin) | | 8:40 |
| 13 | Der Rosenkavalier, op. 59: Akt III. “Marie Theres'!” - “Hab mir's gelobt” (Octavian, Marschallin, Sophie) | | 6:30 |
| 14 | Der Rosenkavalier, op. 59: Akt III. “Ist ein Traum, kann nicht wirklich sein” (Sophie, Octavian, Faninal, Marschallin) | | 7:17 |
| Disc 35 |
| 1 | Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King | | 0:58 |
| 2 | Oedipus Rex: Act I: "Caedit nos pestis" | | 4:05 |
| 3 | Oedipus Rex: Act I: "Liberi vos liberabo" | | 3:29 |
| 4 | Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus | | 0:26 |
| 5 | Oedipus Rex: Act I: "Respondit Deus" | | 6:38 |
| 6 | Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth | | 2:44 |
| 7 | Oedipus Rex: Act I: "Dicere non possum" | | 5:22 |
| 8 | Oedipus Rex: Act I: "Gloria!" | | 1:11 |
| 9 | Oedipus Rex: Act II: The Dispute of the Princess Attracts the Attention of Jocasta | | 2:10 |
| 10 | Oedipus Rex: Act II: "Nonn'erubescite, reges" | | 4:25 |
| 11 | Oedipus Rex: Act II: "Ne Probentur Oracula" | | 3:20 |
| 12 | Oedipus Rex: Act II: "Ego senem cecici" | | 2:07 |
| 13 | Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow | | 0:44 |
| 14 | Oedipus Rex: Act II "Adest omniscius pastor" | | 4:32 |
| 15 | Oedipus Rex: Act II: "Nonne monstru rescituri" | | 3:24 |
| 16 | Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog | | 1:38 |
| 17 | Oedipus Rex: Act II: "Divum locastae caput mortuum!" | | 3:09 |
| 18 | Oedipus Rex: Act II: "Ecce! Regem Oedipoda" | | 2:46 |
| Disc 36 |
| 1 | Falstaff: Act I, Scene 1. “Falstaff!” - “Olà!” (Dr. Cajus, Falstaff, Bardolfo, Pistola) | | 4:49 |
| 2 | Falstaff: Act I, Scene 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola) | | 2:47 |
| 3 | Falstaff: Act I, Scene 1. “Ma è tempo d'assottigliar” (Falstaff, Bardolfo, Pistola) | | 3:48 |
| 4 | Falstaff: Act I, Scene 1. “L'onore! Ladri!” (Falstaff) | | 4:09 |
| 5 | Falstaff: Act I, Scene 2. “Alice.” - “Meg.” - “Nanetta.” (Meg, Alice, Quickly, Nannetta) | | 1:06 |
| 6 | Falstaff: Act I, Scene 2. “Fulgida Alice! Amor t'offro” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Pistola, Fenton, Ford) | | 3:56 |
| 7 | Falstaff: Act I, Scene 2. “In due parole: l'enorme Falstaff” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly) | | 1:25 |
| 8 | Falstaff: Act I, Scene 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly) | | 5:15 |
| 9 | Falstaff: Act I, Scene 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Meg, Nannetta, Quickly, Fenton) | | 3:07 |
| 10 | Falstaff: Act II, Scene 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff, Quickly) | | 6:25 |
| 11 | Falstaff: Act II, Scene 1. “Va', vecchio John” (Falstaff, Bardolfo) | | 2:06 |
| 12 | Falstaff: Act II, Scene 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola) | | 2:49 |
| 13 | Falstaff: Act II, Scene 1. “C'è a Windsor una dama” (Ford, Falstaff) | | 7:18 |
| 14 | Falstaff: Act II, Scene 1. “È sogno? O realtà?” (Ford, Falstaff) | | 6:22 |
| Disc 37 |
| 1 | Falstaff: Act II, Scene 2. “Presenteremo un bill” (Alice, Quickly, Meg, Nannetta) | | 3:58 |
| 2 | Falstaff: Act II, Scene 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta) | | 1:34 |
| 3 | Falstaff: Act II, Scene 2. “Afin t'ho colto, raggiante fior” (Falstaff, Alice) | | 3:55 |
| 4 | Falstaff: Act II, Scene 2. “Quand'ero paggio del Duca di Norfolk” (Falstaff, Alice, Quickly) | | 0:56 |
| 5 | Falstaff: Act II, Scene 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Cajus, Nannetta, Fenton) | | 3:48 |
| 6 | Falstaff: Act II, Scene 2. “C'è!” - “C'è!” (Ford, Dr. Cajus, Quickly, Meg, Falstaff, Bardolfo, Pistola, Ford, Fenton, Nannetta, Alice, chorus) | | 5:33 |
| 7 | Falstaff: Act III, Scene 1. “Ehi! Taverniere!” (Falstaff) | | 6:47 |
| 8 | Falstaff: Act III, Scene 1. “Reverenza. La bella Alice” (Quickly, Falstaff, Alice, Ford, Meg, Dr. Cajus, Nannetta) | | 5:23 |
| 9 | Falstaff: Act III, Scene 1. “Bada! Tu pur ti meriti qualche castigatoia!” (Alice, Ford, Meg, Fenton, Nannetta, Dr. Cajus, Quickly) | | 4:40 |
| 10 | Falstaff: Act III, Scene 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg) | | 5:06 |
| 11 | Falstaff: Act III, Scene 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg) | | 5:08 |
| 12 | Falstaff: Act III, Scene 2. “Ninfe! Elfi! Silfi!” (Nannetta, Falstaff, Alice, chorus) | | 6:37 |
| 13 | Falstaff: Act III, Scene 2. “Alto là!” - “Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Dr. Cajus, chorus) | | 6:15 |
| 14 | Falstaff: Act III, Scene 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Dr. Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, chorus) | | 4:22 |
| 15 | Falstaff: Act III, Scene 2. “Tutto nel mondo è burla” (Falstaff, Alicee, Nannetta, Meg, Quickly, Fenton, Ford, Dr. Cajus, Bardolfo, Pistola, chorus) | | 2:57 |
| Disc 38 |
| 1 | Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | | 10:42 |
| 2 | Messa da Requiem: II. Dies irae “Dies irae, dies illa” | | 2:10 |
| 3 | Messa da Requiem: II. Dies Irae “Tuba mirum, spargens sonum” (basse, chœur) | | 3:04 |
| 4 | Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | | 5:08 |
| 5 | Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | | 4:00 |
| 6 | Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | | 4:04 |
| 7 | Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | | 4:37 |
| 8 | Messa da Requiem: II. Dies Irae “Ingemisco tamquam reus” (ténor) | | 4:03 |
| 9 | Messa da Requiem: II. Dies Irae “Confutatis maledictis” (basse, chœur) | | 5:19 |
| 10 | Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | | 7:04 |
| Disc 39 |
| 1 | Messa da Requiem: III. Offertorio (solistes) | | 11:44 |
| 2 | Messa da Requiem: IV. Sanctus (chœur) | | 2:30 |
| 3 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | | 5:55 |
| 4 | Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | | 6:35 |
| 5 | Messa da Requiem: VII. Libera me (soprano, chœur) | | 13:39 |
| Disc 40 |
| 1 | Götterdämmerung: Brünnhilde's Immolation Scene | | 20:18 |
| 2 | Wesendonck Lieder: I. Der Engel | | 3:30 |
| 3 | Wesendonck Lieder: II. Stehe still! | | 4:05 |
| 4 | Wesendonck Lieder: III. Im Treibhaus | | 6:56 |
| 5 | Wesendonck Lieder: IV. Scherzen | | 2:52 |
| 6 | Wesendonck Lieder: V. Träume | | 5:05 |
| Disc 41 |
| 1 | Bachiana Brasileria No. 5: Aria | | 6:47 |
| 2 | Bachianas Brasileras 5: Dansa | | 4:24 |
| 3 | Luonnotar, op. 70 | | 8:09 |
| 4 | Shéhérazade: Asie | | 11:02 |
| 5 | Shéhérazade: La Flûte enchantée | | 3:13 |
| 6 | Shéhérazade: L’Indifférent | | 4:36 |
| 7 | Songfest: IV. To My Dear and Loving Husband | | 3:33 |
| 8 | Take Care of This House from “1600 Pennsylvania Avenue” | | 3:07 |
| Disc 42 |
| 1 | The Star Spangled Banner - National Anthem of the United States of America | | 2:02 |
| 2 | Address by John D. Rockefeller III, Chairman of the Board | | 3:17 |
| 3 | Gloria from Missa Solemnis in D Major | | 17:27 |
| 4 | Connotations for Orchestra | | 19:05 |
| Disc 43 |
| 1 | Serenade to Music: Andantino | | 2:27 |
| 2 | Serenade to Music, Act V, Scene 1: 'How sweet the moonlight sleeps' | | 2:25 |
| 3 | Serenade to Music: "Look how the floor of heaven..." | | 1:55 |
| 4 | Serenade to Music: "Come, ho! and wake Diana with a hymn" | | 1:18 |
| 5 | Serenade to Music: "I am never merry when I hear sweet music" | | 1:22 |
| 6 | Serenade to Music: "Music! hark!" | | 1:08 |
| 7 | Serenade to Music: "How many things by season..." | | 1:10 |
| 8 | Serenade to Music: "Soft Stillness and the night" | | 1:48 |
| 9 | Symphony No. 8 in E-flat major, Part One: Ia. "Veni, Creator Spiritus!" | | 1:28 |
| 10 | Symphony No. 8 in E-flat major, Part One: Ib. "Imple superna gratia" | | 4:20 |
| 11 | Symphony No. 8 in E-flat major, Part One: Ic. "Infirma nostri corporis" | | 1:52 |
| 12 | Symphony No. 8 in E-flat major, Part One: Id. Tempo I. (Allegro, etwas hastig) | | 1:26 |
| 13 | Symphony No. 8 in E-flat major, Part One: Ie. "Infirma nostri corporis" | | 2:49 |
| 14 | Symphony No. 8 in E-flat major, Part One: If. "Accende lumen sensibus" | | 5:40 |
| 15 | Symphony No. 8 in E-flat major, Part One: Ig. "Qui Paraclitus deceris" | | 3:51 |
| 16 | Symphony No. 8 in E-flat major, Part One: Ih. "Gloria Patri Domino" | | 2:33 |
| 17 | Nine Sacred Pieces, TH. 78: No. 6. Pater Noster | | 3:53 |
| 18 | Messiah, HWV 56, Pt. II: No. 44. Hallelujah Chorus | | 4:02 |
| 19 | haTikvah | | 2:30 |
| Disc 44 |
| 1 | Liederkreis, op. 39, No. 1: In der Fremde | | 2:08 |
| 2 | Liederkreis, op. 39, No. 2: Intermezzo | | 2:14 |
| 3 | Liederkreis, op. 39, No. 3. Waldesgespräch | | 2:37 |
| 4 | Liederkreis, op. 39, No. 4: Die Stille | | 1:53 |
| 5 | Liederkreis, op. 39, No. 5: Mondnacht | | 4:34 |
| 6 | Liederkreis, op. 39, No. 6: Schöne Fremde | | 1:17 |
| 7 | Liederkreis, op. 39, No. 7: Auf einer Burg | | 2:42 |
| 8 | Liederkreis, op. 39, No. 8: In der Fremde | | 1:35 |
| 9 | Liederkreis, op. 39, No. 9: Wehmut | | 2:47 |
| 10 | Liederkreis, op. 39, No. 10: Zwielicht | | 3:21 |
| 11 | Liederkreis, op. 39, No. 11: Im Walde | | 1:30 |
| 12 | Liederkreis, op. 39, No. 12: Frühlingsnacht | | 1:32 |
| 13 | Allerseelen, op 10/8 | | 3:44 |
| 14 | Noch', op. 60/9 | | 5:40 |
| 15 | Zabït' tak skoro, TH 94 | | 3:21 |
| 16 | Kolïbel'naya pesn', op. 16/1 | | 4:38 |
| 17 | Pogodi! op. 16/2 | | 4:49 |
| 18 | Sred' mrachnïkh dney, op. 73/5 | | 2:06 |
| 19 | Ne poy, krasavitsa! op. 4/4 | | 4:50 |
| Disc 45 |
| 1 | La Vie antérieure | | 4:20 |
| 2 | Fêtes galantes Set I: I. En sourdine | | 3:15 |
| 3 | Fêtes galantes Set I: II. Fantoches | | 1:17 |
| 4 | Fêtes galantes Set I: III. Clair de lune | | 4:09 |
| 5 | 3 Mélodies: I. La Statue de bronze | | 1:43 |
| 6 | 3 Mélodies: II. Daphénéo | | 1:39 |
| 7 | 3 Mélodies: III. Le Chapelier | | 1:16 |
| 8 | Oh! quand je dors, S 282 | | 4:45 |
| 9 | Air vif, FP 46/4 | | 1:17 |
| 10 | La Périchole : Acte I. « Ô mon cher amant » (Air de la lettre) | | 3:14 |
| 11 | La Périchole : Acte I. « Ah ! Quel dîner je viens de faire » | | 1:36 |
| Disc 46 |
| 1 | Zigeunerlieder, op. 103, No. 1: He, Zigeuner, greife | | 0:56 |
| 2 | Zigeunerlieder, op. 103, No. 2: Hochgetürmte Rimaflut | | 0:57 |
| 3 | Zigeunerlieder, op. 103, No. 3: Wisst ihr, wann mein Kindchen | | 1:35 |
| 4 | Zigeunerlieder, op. 103, No. 4: Lieber Gott, du weißt | | 1:37 |
| 5 | Zigeunerlieder, op. 103, No. 5: Brauner Bursche führt zum Tanze | | 1:38 |
| 6 | Zigeunerlieder, op. 103, No. 6: Röslein dreie in der Reihe | | 1:45 |
| 7 | Zigeunerlieder, op. 103, No. 7: Kommt dir manchmal in den Sinn | | 2:14 |
| 8 | Zigeunerlieder, op. 103, No. 8: Rote Abendwolken ziehn | | 2:12 |
| 9 | Der Tod, das ist die kühle Nacht, op. 96/1 | | 3:25 |
| 10 | Immer leiser wird mein Schlummer, op. 105/2 | | 3:12 |
| 11 | Feldeinsamkeit, op. 86/2 | | 3:52 |
| 12 | Ständchen, op. 106/1 | | 2:06 |
| 13 | Liebestreu, op. 3/1 | | 2:44 |
| 14 | Mädchenlied, op. 107/5 | | 1:52 |
| 15 | Sapphische Ode, op. 94/4 | | 2:27 |
| 16 | Ruhe, Süßliebchen, op. 33/9 | | 5:51 |
| 17 | Die Mainacht, op. 43/2 | | 3:46 |
| 18 | Von ewiger Liebe, op. 43/1 | | 4:32 |
| Disc 47 |
| 1 | O Come, All Ye Faithful | | 2:58 |
| 2 | The Twelfth Night Song | | 2:23 |
| 3 | Away in a Manger | | 3:18 |
| 4 | Carol of the Bells | | 2:40 |
| 5 | The Animal Carol | | 3:23 |
| 6 | The Twelve Days of Christmas | | 5:08 |
| 7 | O Little Town of Bethlehem | | 2:50 |
| 8 | Patapan | | 2:17 |
| 9 | Joy to the World | | 1:31 |
| 10 | Lullay My Liking | | 5:10 |
| 11 | God Rest Ye Merry, Gentlemen | | 2:14 |
| 12 | La Virgen lava pañales | | 5:14 |
| 13 | Deck the Halls With Boughs of Holly | | 1:24 |
| 14 | Joseph lieber, Joseph mein | | 2:29 |
| 15 | Once in Royal David's City | | 3:58 |
| 16 | Silent Night | | 3:33 |
| Disc 48 |
| 1 | Symphonie Fantastique, op. 14: I. Dreams, Passions | | 12:31 |
| 2 | Symphonie Fantastique, op. 14: II. A Ball | | 6:07 |
| 3 | Symphonie Fantastique, op. 14: III. Scene in the Meadows | | 15:02 |
| 4 | Symphonie Fantastique, op. 14: IV. March to the Scaffold | | 4:27 |
| 5 | Symphonie Fantastique, op. 14: V. Dream of the Witches' Sabbath | | 9:32 |
| 6 | Berlioz Takes a Trip | | 15:48 |
| Disc 49 |
| 1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | | 15:44 |
| 2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | | 8:24 |
| 3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | | 15:21 |
| 4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | | 10:22 |
| Disc 50 |
| 1 | Symphony no. 5 in D minor, op. 47: I. Moderato | | 17:42 |
| 2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | | 5:23 |
| 3 | Symphony no. 5 in D minor, op. 47: III. Largo | | 16:00 |
| 4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | | 10:11 |
| Disc 51 |
| 1 | Symphony No. 4 in F Minor, Op. 36, TH 27: I. Andante sostenuto - Moderato con anima | | 19:41 |
| 2 | Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona | | 11:27 |
| 3 | Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato | | 6:04 |
| 4 | Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco | | 9:27 |
| Disc 52 |
| 1 | Quintet for Piano and Strings in E-flat major, Op. 44: I. Allegro brilliante | | 9:14 |
| 2 | Piano Quintet in E-flat, op. 44: II. In modo d'una marcia. Un poco largamente - agitato | | 8:38 |
| 3 | Piano Quintet in E-flat, op. 44: III. Scherzo. Molto vivace - Trio I - Trio II - Coda | | 4:23 |
| 4 | Piano Quintet in E-flat, op. 44: IV. Allegro, ma non troppo | | 7:26 |
| 5 | Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro | | 10:31 |
| 6 | Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante | | 9:06 |
| 7 | Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo | | 7:38 |
| Disc 53 |
| 1 | Piano Concerto in G: I. Allegramente | | 7:46 |
| 2 | Piano Concerto in G: II. Adagio assai | | 9:14 |
| 3 | Piano Concerto in G: III. Presto | | 3:41 |
| 4 | 7 Anniversaries (for Piano): I. For Aaron Copland | | 1:16 |
| 5 | 7 Anniversaries (for Piano): II. For My Sister, Shirley | | 1:05 |
| 6 | 7 Anniversaries (for Piano): III. In Memoriam: Alfred Eisner | | 2:35 |
| 7 | 7 Anniversaries (for Piano): IV. For Paul Bowles | | 1:08 |
| 8 | 7 Anniversaries (for Piano): V. In Memoriam: Nathalie Koussevitzky | | 2:24 |
| 9 | 7 Anniversaries (for Piano): VI. For Serge Koussevitzky | | 1:41 |
| 10 | 7 Anniversaries (for Piano): VII. For William Schuman | | 0:39 |
| 11 | Piano Sonata: I. Molto moderato - attacca | | 7:52 |
| 12 | Piano Sonata: II. Vivace - attacca | | 4:37 |
| 13 | Piano Sonata: III. Andante sostenuto | | 8:35 |
| 14 | Dusty Sun | | 3:43 |
| 15 | Afterthought | | 3:25 |
| 16 | I Hate Music: I. My Name Is Barbara. Moderato | | 0:50 |
| 17 | I Hate Music: II. Jupiter Has Seven Moons. Allegretto vivace | | 1:11 |
| 18 | I Hate Music: III. I Hate Music! Sostenuto – Allegro molto – Tempo I | | 1:27 |
| 19 | I Hate Music: IV. A Big Indian and a Little Indian (Riddle Song). Con brio | | 0:44 |
| 20 | I Hate Music: V. I’m a Person Too. Moderato, alla marcia – Andante – Tempo I | | 1:57 |
| Disc 54 |
| 1 | The Airborne Symphony: I. Theory of Flight | | 4:48 |
| 2 | The Airborne Symphony: I. Ballad of History and Mythology | | 5:22 |
| 3 | The Airborne Symphony: I. Kittyhawk | | 2:37 |
| 4 | The Airborne Symphony: I. The Airborne | | 1:44 |
| 5 | The Airborne Symphony: II. The Enemy | | 4:38 |
| 6 | The Airborne Symphony: II. Threat and Approach | | 3:11 |
| 7 | The Airborne Symphony: II. Ballad of Cities | | 7:18 |
| 8 | The Airborne Symphony: II. Morning Poem | | 2:01 |
| 9 | The Airborne Symphony: III. Ballad of Hurry-up | | 6:44 |
| 10 | The Airborne Symphony: III. Night Music. Ballad of the Bombardier | | 5:20 |
| 11 | The Airborne Symphony: III. Recitative | | 0:48 |
| 12 | The Airborne Symphony: III. Chorus of the Rendezvous | | 2:26 |
| 13 | The Airborne Symphony: III. The Open Sky | | 8:11 |
| 14 | Facsimile | | 18:17 |
| Disc 55 |
| 1 | Symphony No. 1 "Jeremiah": I. Prophecy. Largamente | | 7:01 |
| 2 | Symphony No. 1 "Jeremiah": II. Profanation. Vivace con brio | | 6:46 |
| 3 | Symphony No. 1 "Jeremiah": III. Lamentation. Lento | | 10:12 |
| 4 | Dances from “On the Town”: Pas de deux: Lonely Town | | 3:08 |
| 5 | Dances from “On the Town”: Act I Finale: Times Square | | 3:13 |
| 6 | Dances from “On the Town”: The Subway | | 1:56 |
| 7 | Dances from “On the Town”: Gabey, the Great Lover | | 1:43 |
| 8 | Dances from “On the Town”: Pas de deux: Ivy and Gabey | | 2:54 |
| 9 | Billy the Kid — Ballet Suite: Prelude: The Open Prairie | | 3:26 |
| 10 | Billy the Kid — Ballet Suite: Street in a Frontier Town | | 4:06 |
| 11 | Billy the Kid — Ballet Suite: Waltz | | 2:19 |
| 12 | Billy the Kid — Ballet Suite: Card Game | | 3:26 |
| 13 | Billy the Kid — Ballet Suite: The Fight | | 1:46 |
| 14 | Billy the Kid — Ballet Suite: Celebration Dance | | 2:12 |
| 15 | Billy the Kid — Ballet Suite: Epilogue | | 3:12 |
| 16 | Statements for Orchestra, No. 5: Jingo | | 2:25 |
| 17 | An American in Paris | | 17:43 |
| Disc 56 |
| 1 | L’histoire du soldat: I. Soldier’s March | | 1:42 |
| 2 | L’histoire du soldat: II. Music for Scene 1 | | 2:50 |
| 3 | L’histoire du soldat: III. Royal March | | 2:48 |
| 4 | L’histoire du soldat: IV. Music for Scene 2 | | 2:36 |
| 5 | L’histoire du soldat: V. Little Concert | | 3:19 |
| 6 | Histoire du soldat: 3 Dances: Tango - Waltz - Ragtime | | 6:23 |
| 7 | L’histoire du soldat: VII. Little Chorale | | 0:40 |
| 8 | L’histoire du soldat: VIII. The Devil’s Dance | | 1:28 |
| 9 | L’histoire du soldat: IX. Great Chorale | | 2:55 |
| 10 | L’histoire du soldat: X. Triumphal March of the Devil | | 2:20 |
| 11 | Octet for Wind Instruments: I. Sinfonia | | 4:02 |
| 12 | Octet for Wind Instruments: II. Tema con variazioni | | 7:47 |
| 13 | Octet for Wind Instruments: III. Finale | | 3:42 |
| 14 | La Création du monde, Ballet, op. 81 | | 15:57 |
| Disc 57 |
| 1 | Symphony No. 7 - I. Poco Sostenuto: Vivace | | 12:27 |
| 2 | Symphony No. 7 - II. Allegretto | | 9:42 |
| 3 | Symphony No. 7 - III. Presto | | 8:24 |
| 4 | Symphony No. 7 - IV. Allegro Con Brio | | 7:29 |
| Disc 58 |
| 1 | On the Town: Opening: New York, New York | | 11:31 |
| 2 | On the Town: Taxi Number: Come Up to My Place | | 2:47 |
| 3 | On the Town: Carried Away | | 3:01 |
| 4 | On the Town: Lonely Town / Dance: Lonely Town | | 6:46 |
| 5 | On the Town: Carnegie Hall (Do-Do-Re-Do) | | 2:37 |
| 6 | On the Town: I Can Cook Too | | 2:30 |
| 7 | On the Town: Lucky to Be Me | | 2:57 |
| 8 | On the Town: Dance: Times Square | | 4:03 |
| 9 | On the Town: Night Club Sequence: So Long Baby / I'm Blue / Ya Got Me | | 4:51 |
| 10 | On the Town: I Understand | | 2:10 |
| 11 | On the Town: Ballet: Imaginary Coney Island: Subway Ride / Dance of the Great Lover / Pas de deux | | 7:50 |
| 12 | On the Town: Some Other Time | | 4:25 |
| 13 | On the Town: Dance: The Real Coney Island | | 5:30 |
