| Disc 1 |
| 1 | Douze Notations: Fantasque, Modéré | | 0:44 |
| 2 | Douze Notations: Très vif | | 0:21 |
| 3 | Douze Notations: Assez lent | | 0:51 |
| 4 | Douze Notations: Rythmique | | 0:37 |
| 5 | Douze Notations: Doux et improvisé | | 0:39 |
| 6 | Douze Notations: Rapide | | 0:26 |
| 7 | Douze Notations: Hiératique | | 1:04 |
| 8 | Douze Notations: Modéré jusqu’à très vif | | 0:57 |
| 9 | Douze Notations: Lointain, Calme | | 1:32 |
| 10 | Douze Notations: Mécanique et très sec | | 0:26 |
| 11 | Douze Notations: Scintillant | | 0:35 |
| 12 | Douze Notations: Lent, Puissant et âpre | | 1:26 |
| 13 | Première Sonate: I. Lent | | 4:23 |
| 14 | Première Sonate: II. Assez large, Rapide | | 4:07 |
| 15 | Deuxième Sonate: I. Extrêmement rapide | | 5:24 |
| 16 | Deuxième Sonate: II. Lent | | 10:39 |
| 17 | Deuxième Sonate: III. Modéré, presque vif | | 2:12 |
| 18 | Deuxième Sonate: IV. Très librement, avec de brusques oppositions de mouvement et de nuances | | 9:49 |
| 19 | Troisième Sonate: Formant 1: Sigle (unfinished: excerpt from Antiphonie) | | 0:50 |
| 20 | Troisième Sonate: Formant 2: Trope: Commentaire | | 1:26 |
| 21 | Troisième Sonate: Formant 2: Trope: Glose | | 1:32 |
| 22 | Troisième Sonate: Formant 2: Trope: Texte | | 1:03 |
| 23 | Troisième Sonate: Formant 2: Trope: Parenthèse | | 1:43 |
| 24 | Troisième Sonate: Formant 3: Constellation: Points I | | 0:26 |
| 25 | Troisième Sonate: Formant 3: Constellation: Blocs I | | 3:14 |
| 26 | Troisième Sonate: Formant 3: Constellation: Points II | | 1:45 |
| 27 | Troisième Sonate: Formant 3: Constellation: Blocs II | | 2:58 |
| 28 | Troisième Sonate: Formant 3: Constellation: Points III | | 1:34 |
| 29 | Troisième Sonate: Formant 3: Constellation: Mélange | | 0:28 |
| Disc 2 |
| 1 | Incises | | 10:57 |
| 2 | Une page d’éphéméride | | 4:26 |
| 3 | Mirjam Wiesemann in Conversation with Pierre Boulez: Un univers sonore différent – About IRCAM | | 7:27 |
| 4 | Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: Still the Domain of Men? | | 0:41 |
| 5 | Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: “Inventing the Unknown” | | 1:54 |
| 6 | Mirjam Wiesemann in Conversation with Pierre Boulez: Favourite Instruments | | 0:44 |
| 7 | Mirjam Wiesemann in Conversation with Pierre Boulez: Everyday Noise Is Just That – Noise | | 1:15 |
| 8 | Mirjam Wiesemann in Conversation with Pierre Boulez: Freedom of Expression in Serial Music | | 2:12 |
| 9 | Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez’ Sense of Humour: A Passionate Provocateur | | 1:22 |
| 10 | Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez the Maestro – Boulez the Composer | | 1:18 |
| 11 | Mirjam Wiesemann in Conversation with Pierre Boulez: On Collaborating with Frank Zappa | | 1:36 |
| 12 | Mirjam Wiesemann in Conversation with Pierre Boulez: At the Age of 30, One Has Strong Reactions | | 1:27 |
| 13 | Mirjam Wiesemann in Conversation with Pierre Boulez: Control and Chance – Pierre Boulez and John Cage | | 1:44 |
| 14 | Mirjam Wiesemann in Conversation with Pierre Boulez: I Cherish Talent Above All | | 0:42 |
| 15 | Mirjam Wiesemann in Conversation with Pierre Boulez: One Grows Increasingly Isolated | | 0:23 |
| 16 | Mirjam Wiesemann in Conversation with Pierre Boulez: René Char – A Solitary Worker | | 0:44 |
| 17 | Mirjam Wiesemann in Conversation with Pierre Boulez: Antonin Artaud – The All-Encompassing Spectacle | | 1:09 |
| 18 | Mirjam Wiesemann in Conversation with Pierre Boulez: Jean-Louis Barrault, Antonin Artaud and the Theatre of Magic | | 0:59 |
| 19 | Mirjam Wiesemann in Conversation with Pierre Boulez: Musical Vibrations that the Earth Feels | | 1:44 |
| 20 | Mirjam Wiesemann in Conversation with Pierre Boulez: Sometimes One Is Rebelling against the Universe | | 0:36 |
| 21 | Mirjam Wiesemann in Conversation with Pierre Boulez: I Have Kept My Balance | | 0:31 |
| 22 | Mirjam Wiesemann in Conversation with Pierre Boulez: With Age, One Goes Deeper and Deeper into Himself | | 0:56 |
| 23 | Mirjam Wiesemann in Conversation with Pierre Boulez: Early Sketches for Piano: To Be Studied, Not Played | | 1:31 |
| 24 | Mirjam Wiesemann in Conversation with Pierre Boulez: Music Is My Only Talent | | 0:28 |
| 25 | Mirjam Wiesemann in Conversation with Pierre Boulez: On the Piano and His Own Music | | 2:05 |
| 26 | Mirjam Wiesemann in Conversation with Pierre Boulez: My Family Was Not Talented Musically | | 0:10 |
| 27 | Mirjam Wiesemann in Conversation with Pierre Boulez: Music Studies Instead of the École polytechnique | | 0:49 |
| 28 | Mirjam Wiesemann in Conversation with Pierre Boulez: During the War | | 1:14 |
| 29 | Mirjam Wiesemann in Conversation with Pierre Boulez: Jesuit School and Choir | | 0:50 |
| 30 | Mirjam Wiesemann in Conversation with Pierre Boulez: Uninteresting Professors at the Conservatoire | | 0:30 |
| 31 | Mirjam Wiesemann in Conversation with Pierre Boulez: Olivier Messiaen: He Was Inventive | | 1:01 |
| 32 | Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez’ Work at the Collège de France | | 0:43 |
| 33 | Mirjam Wiesemann in Conversation with Pierre Boulez: I Wish Not to Intercede; Everyone Must Find Himself | | 0:21 |
| 34 | Mirjam Wiesemann in Conversation with Pierre Boulez: To Find New Music, One Needs Curiosity | | 2:09 |
| 35 | Mirjam Wiesemann in Conversation with Pierre Boulez: Hermetic Music, Hermetic Private Life | | 0:35 |
| 36 | Mirjam Wiesemann in Conversation with Pierre Boulez: Quotations: Sentences That I Never Spoke | | 0:51 |
| 37 | Mirjam Wiesemann in Conversation with Pierre Boulez: I Will See New Talent | | 0:40 |
| 38 | Mirjam Wiesemann in Conversation with Pierre Boulez: Praise and Criticism | | 1:09 |
| 39 | Mirjam Wiesemann in Conversation with Pierre Boulez: Maybe I Will Return to the Piano | | 0:47 |
| Disc 3 |
| 1 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Career as pianist | | 2:04 |
| 2 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Love at First Sight | | 0:36 |
| 3 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The piano is so rich... | | 1:14 |
| 4 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Music in the family | | 2:55 |
| 5 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Greek culture and artistic inheritance | | 2:24 |
| 6 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: A teenager in love with Chopin | | 2:10 |
| 7 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Self-doubt and artistic development | | 0:46 |
| 8 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Every artist dreams of Paris... | | 0:49 |
| 9 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: First encounter with contemporary music: Messiaen | | 1:46 |
| 10 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: First encounter with contemporary music: Boulez | | 0:33 |
| 11 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: My first concert with Boulez the conductor | | 1:31 |
| 12 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Audition with the Ensemble InterContemporain | | 2:44 |
| 13 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Breaking Barriers and Curiosity | | 2:09 |
| 14 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Incises – A creative mind never rests | | 3:37 |
| 15 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: A man must be like an arrow... | | 1:13 |
| 16 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The audience for contemporary music – then and now | | 3:08 |
| 17 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Composers after World War II and today | | 0:47 |
| 18 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: What is special about Boulez’ work | | 1:58 |
| 19 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Boulez as conductor of the Ensemble InterContemporain | | 0:50 |
| 20 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Boulez’ works for piano | | 1:18 |
| 21 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Playing from memory | | 3:33 |
| 22 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The second sonata: Very few pianists are capable of playing it | | 0:58 |
| 23 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: One must learn how to listen! | | 2:25 |
| 24 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Harmony and dissonance: I love both. | | 2:04 |
| 25 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Dimitri as performer: I see myself as an actor... | | 3:51 |
| 26 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: On the good fortune of working with the composer. | | 2:11 |
| 27 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: How lovely when an artist refuses to reveal everything... | | 1:20 |
| 28 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Should a composer accept restrictions? | | 1:33 |
| 29 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The future of contemporary music – finding a new language... | | 1:38 |
| 30 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Playing the piano – my raison d'être... | | 1:09 |
| 31 | Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Characteristics of a great artist | | 0:32 |
