| Disc 1 |
| 1 | Der Freischütz, op. 77: Overture | | 9:59 |
| 2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | | 6:25 |
| 3 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | | 11:10 |
| 4 | Symphony no. 5 in C minor, op. 67: III. Allegro | | 5:45 |
| 5 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | | 8:54 |
| 6 | A Midsummer Night’s Dream Overture, op. 21 | | 12:39 |
| 7 | Orchestral Suite no. 3 in D major, BWV 1068: Air “On the G String” | | 5:07 |
| 8 | Rosamunde, Fürstin von Zypern, Incidental Music to Romantic Play, in 4 Acts D797: VII. Entr'acte no. 3 in B-flat | | 5:16 |
| 9 | Rosamunde, D. 797: Ballet no. 2 | | 5:15 |
| Disc 2 |
| 1 | Lohengrin: Act I. Prelude | | 9:45 |
| 2 | Tristan und Isolde: Act I. Prelude | | 10:31 |
| 3 | Tristan und Isolde: Liebestod (concert version) | | 6:33 |
| 4 | Rosamunde, D. 797: Overture | | 9:53 |
| 5 | Till Eulenspiegels lustige Streiche, op. 28 | | 15:00 |
| 6 | Till Eulenspiegels (Rehearsal) | | 8:57 |
| Disc 3 |
| 1 | The Hebrides, op. 26 “Fingal's Cave” | | 9:52 |
| 2 | The Hebrides (Rehearsal) | | 2:59 |
| 3 | La Damnation de Faust, op. 24: Marche hongroise | | 4:20 |
| 4 | Slavonic Dance in A-flat major, op. 46 no. 3 | | 4:29 |
| 5 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. | | 7:18 |
| 6 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | | 3:30 |
| 7 | La gazza ladra: Overture | | 9:18 |
| 8 | Hungarian Dances: No. 1 in G minor | | 2:54 |
| 9 | Hungarian Dances: No. 10 in E major | | 2:01 |
| 10 | Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”) | | 8:24 |
| Disc 4 |
| 1 | Siegfrieds Trauermarsch | | 8:23 |
| 2 | Egmont, op. 84: Overture. Sostenuto, ma non troppo | | 8:34 |
| 3 | Le nozze di Figaro, K. 492: Overture | | 4:14 |
| 4 | Die Entführung aus dem Serail, K. 384: Overture | | 4:51 |
| 5 | Il barbiere di Siviglia: Overture | | 7:13 |
| 6 | Der Freischütz, op. 77: Overture | | 9:46 |
| 7 | Der Freischütz, op. 77: Act III. Prelude | | 3:21 |
| 8 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | | 4:21 |
| 9 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante | | 5:50 |
| 10 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio | | 2:01 |
| 11 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | | 3:01 |
| 12 | Die Fledermaus: Overture | | 8:20 |
| Disc 5 |
| 1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | | 17:52 |
| 2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | | 11:28 |
| 3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | | 20:16 |
| 4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | | 7:02 |
| 5 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | | 3:47 |
| 6 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | | 3:48 |
| 7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | | 6:18 |
| 8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End | | 4:05 |
| Disc 6 |
| 1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | | 7:15 |
| 2 | Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries) | | 8:40 |
| 3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde) | | 8:25 |
| 4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries) | | 2:49 |
| 5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | | 9:31 |
| 6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | | 8:10 |
| 7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde) | | 2:32 |
| 8 | Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan) | | 8:07 |
| 9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | | 7:24 |
| Disc 7 |
| 1 | Götterdämmerung: Prologue. Orchestra (after the Norns) | | 3:22 |
| 2 | Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde) | | 2:45 |
| 3 | Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde) | | 6:21 |
| 4 | Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried) | | 2:49 |
| 5 | Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute) | | 7:49 |
| 6 | Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute) | | 9:51 |
| 7 | Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute) | | 5:39 |
| 8 | Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde) | | 3:07 |
| 9 | Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde) | | 6:06 |
| 10 | Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde) | | 2:50 |
| Disc 8 |
| 1 | Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus) | | 1:27 |
| 2 | Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus) | | 1:33 |
| 3 | Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus) | | 3:57 |
| 4 | Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen) | | 2:30 |
| 5 | Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus) | | 5:36 |
| 6 | Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus) | | 2:48 |
| 7 | Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried) | | 2:28 |
| 8 | Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde) | | 3:25 |
| 9 | Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen) | | 3:11 |
| 10 | Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen) | | 5:28 |
| 11 | Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen) | | 2:19 |
| 12 | Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde) | | 3:57 |
| 13 | Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde) | | 2:24 |
| 14 | Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | | 2:22 |
| 15 | Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde) | | 3:46 |
| 16 | Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | | 2:26 |
| 17 | Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde) | | 1:12 |
| 18 | Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde) | | 6:14 |
| Disc 9 |
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | | 7:42 |
| 2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | | 10:16 |
| 3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | | 5:48 |
| 4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | | 8:19 |
| 5 | Tristan und Isolde: Act I. Prelude | | 11:05 |
| 6 | Tristan und Isolde: Act III. Liebestod | | 6:57 |
| 7 | Parsifal: Act I. Prelude | | 14:10 |
| 8 | Parsifal: Act III. Good Friday Music | | 10:47 |
| Disc 10 |
| 1 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: I. Adagio - Allegro con troppo | | 20:07 |
| 2 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: II. Allegro con grazia | | 8:49 |
| 3 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: III. Allegro molto vivace | | 9:16 |
| 4 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: IV. Finale: Adagio lamentoso - Andante | | 10:24 |
| Disc 11 |
| 1 | Symphonic Concerto in B minor: II. Adagio (Sehr langsam) | | 11:15 |
| 2 | Cavatina (from the String Quartet, version for String Orchestra) in B-flat minor, op. 130 | | 8:38 |
| 3 | Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam | | 22:42 |
| 4 | Alceste: Overture | | 8:21 |
| Disc 12 |
| 1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | | 2:23 |
| 2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | | 1:21 |
| 3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | | 1:04 |
| 4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | | 2:06 |
| 5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | | 2:59 |
| 6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | | 0:56 |
| 7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | | 1:26 |
| 8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | | 3:47 |
| 9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | | 1:04 |
| 10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | | 4:03 |
| 11 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | | 11:26 |
| 12 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | | 13:58 |
| 13 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | | 5:47 |
| 14 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | | 3:56 |
| 15 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | | 9:15 |
| Disc 13 |
| 1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | | 24:06 |
| 2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | | 10:56 |
| 3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | | 10:08 |
| Disc 14 |
| 1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | | 16:05 |
| 2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | | 17:20 |
| 3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | | 6:15 |
| 4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | | 12:44 |
| 5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release) | | 5:16 |
| 6 | Coriolan Ouvertüre, op. 62 | | 8:35 |
| Disc 15 |
| 1 | Serenade nr. 10 B-Dur für 13 Bläser, KV 361 „Gran partita“: I. Largo. Allegro molto | | 6:49 |
| 2 | Serenade nr. 10 B-Dur für 13 Bläser, KV 361 „Gran partita“: II. Menuetto. Trio 1 & 2 | | 5:50 |
| 3 | Serenade nr. 10 B-Dur für 13 Bläser, KV 361 „Gran partita“: III. Adagio | | 6:27 |
| 4 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto | | 3:18 |
| 5 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio | | 5:29 |
| 6 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni | | 8:54 |
| 7 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo) | | 3:27 |
| Disc 16 |
| 1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | | 14:47 |
| 2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | | 10:37 |
| 3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | | 5:05 |
| 4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio | | 16:33 |
| Disc 17 |
| 1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | | 15:17 |
| 2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | | 10:54 |
| 3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai | | 5:58 |
| 4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | | 9:01 |
| 5 | Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take) | | 3:08 |
| 6 | Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take) | | 2:56 |
| 7 | Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take) | | 3:43 |
| 8 | Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take) | | 4:47 |
| Disc 18 |
| 1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde) | | 2:25 |
| 2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | | 2:31 |
| 3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde) | | 3:46 |
| 4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | | 2:33 |
| 5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | | 1:16 |
| 6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde) | | 6:38 |
| 7 | The Hebrides, op. 26 “Fingal's Cave” | | 10:12 |
| 8 | Symphonie nr. 40 g-moll, KV 550: I. Molto allegro | | 7:03 |
| 9 | Symphonie nr. 40 g-moll, KV 550: II. Andante | | 8:31 |
| 10 | Symphonie nr. 40 g-moll, KV 550: III. Menuet: Allegro. Trio | | 4:27 |
| 11 | Symphonie nr. 40 g-moll, KV 550: IV. Finale: Allegro assai | | 4:38 |
| Disc 19 |
| 1 | Siegfried Idyll | | 17:04 |
| 2 | Tannhäuser: Overture | | 14:05 |
| 3 | Götterdämmerung: Prelude - Siegfried's Rhine journey | | 11:53 |
| 4 | Der fliegende Holländer: Overture | | 11:46 |
| Disc 20 |
| 1 | Haydn Variationen, op. 56a “St. Antoni Chorale”: Thema: Chorale St. Antoni (Andante) | | 2:09 |
| 2 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation I (Poco più animato) | | 1:17 |
| 3 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation II (Più vivace) | | 0:59 |
| 4 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation III (Con moto) | | 2:07 |
| 5 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation IV (Andante con moto) | | 2:46 |
| 6 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation V (Vivace) | | 0:53 |
| 7 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation VI (Vivace) | | 1:22 |
| 8 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation VII (Grazioso) | | 3:17 |
| 9 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation VIII (Presto non troppo) | | 0:58 |
| 10 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Finale (Andante) | | 3:56 |
| 11 | Die Walküre: Act III. Walkürenritt | | 5:20 |
| 12 | La Damnation de Faust, op. 24: Marche hongroise | | 4:28 |
| 13 | Serenade No. 13, in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro | | 4:21 |
| 14 | Serenade No. 13, in G Major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Andante) | | 4:49 |
| 15 | Serenade No. 13, in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) | | 2:12 |
| 16 | Serenade No. 13, in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro) | | 3:06 |
| 17 | Ungarische Tänze Nr. 1 g‐moll: Allegro molto | | 3:07 |
| 18 | Ungarische Tänze Nr. 3 F‐dur: Allegretto | | 2:32 |
| 19 | Ungarische Tänze Nr. 10 F‐dur: Presto | | 1:54 |
| 20 | Die Meistersinger von Nürnberg: Act I. Prelude | | 9:44 |
| 21 | Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices | | 2:45 |
| Disc 21 |
| 1 | Lohengrin: Act I. Prelude | | 9:09 |
| 2 | Violin Concerto in D major, op. 77: I. Allegro non troppo (Kadenz: Kreisler) | | 22:02 |
| 3 | Violin Concerto in D major, op. 77: II. Adagio | | 9:53 |
| 4 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - poco più presto | | 8:04 |
| Disc 22 |
| 1 | Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace | | 12:58 |
| 2 | Symphony No. 7 in A major, Op. 92: II. Allegretto | | 10:16 |
| 3 | Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto | | 8:39 |
| 4 | Symphony No. 7 in A major, Op. 92: IV. Allegro con brio | | 7:02 |
| 5 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | | 11:30 |
| 6 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | | 12:09 |
| Disc 23 |
| 1 | Tod und Verklärung op. 24 | | 24:23 |
| 2 | Kaiser Walzer, Op. 437 (Emperor Waltz) | | 9:35 |
| 3 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | | 10:53 |
| 4 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | | 12:17 |
| 5 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | | 5:55 |
| 6 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | | 7:24 |
| Disc 24 |
| 1 | Götterdämmerung: Siegfried's Funeral March | | 8:41 |
| 2 | Die Meistersinger von Nürnberg: Act III. Prelude | | 6:37 |
| 3 | Oberon: Overture | | 10:01 |
| 4 | Rosamunde: Entr'acte no. 3 in B-flat | | 4:52 |
| 5 | Rosamunde: Ballet no. 2 in G | | 4:59 |
| 6 | Serenade in C major, op. 48: II. Valse: Moderato | | 4:21 |
| 7 | Serenade in C major, op. 48: IV. Finale: Tema russo | | 7:52 |
| 8 | Pizzicato Polka (with glockenspiel) | | 2:51 |
| 9 | Pizzicato Polka (without glockenspiel) | | 2:46 |
| 10 | Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!” | | 4:42 |
| 11 | Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache” | | 2:59 |
| Disc 25 |
| 1 | Rosamunde: Overture | | 10:44 |
| 2 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderate con anima | | 19:18 |
| 3 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | | 10:19 |
| 4 | Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicato ostinato - Allegro | | 5:56 |
| 5 | Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco | | 9:20 |
| 6 | Anacréon: Ouvertüre | | 9:42 |
| Disc 26 |
| 1 | Symphony no. 94 in G major "Surprise": I. Adagio cantabile - Vivace assai | | 7:06 |
| 2 | Symphony no. 94 in G major "Surprise": II. Andante | | 7:46 |
| 3 | Symphony no. 94 in G major "Surprise": III. Adagio cantabile - Vivace assai | | 4:06 |
| 4 | Symphony no. 94 in G major "Surprise": IV. Adagio cantabile - Vivace assai | | 4:01 |
| 5 | The Merry Wives of Windsor: Overture | | 8:41 |
| 6 | Manfred, op. 115: Overture | | 12:25 |
| 7 | Má Vlast: II. Vltava | | 12:35 |
| Disc 27 |
| 1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | | 20:44 |
| 2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio | | 7:51 |
| 3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro | | 10:28 |
| 4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | | 12:32 |
| 5 | Violin Concerto in E minor, op. 64: II. Andante | | 7:50 |
| 6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | | 6:45 |
| Disc 28 |
| 1 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | | 1:11 |
| 2 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | | 17:47 |
| 3 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | | 0:55 |
| 4 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | | 11:59 |
| 5 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | | 0:34 |
| 6 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio | | 19:39 |
| 7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | | 6:59 |
| 8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | | 3:51 |
| 9 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | | 4:00 |
| 10 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | | 5:59 |
| 11 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause | | 4:19 |
| Disc 29 |
| 1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante. Allegro ma non troppo | | 14:41 |
| 2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | | 17:16 |
| 3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio | | 11:15 |
| 4 | Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace | | 11:42 |
| 5 | Symphonie No. 2 E-moll: I. Assai moderato - Allegro - Molto allegro | | 24:34 |
| Disc 30 |
| 1 | Symphonie No. 2 E-moll: II. Andante semplice | | 12:42 |
| 2 | Symphonie No. 2 E-moll: III. Un poco moderato - Allegro | | 16:21 |
| 3 | Symphonie No. 2 E-moll: IV. Langsam - Moderato andante - Allegro molto - Moderato - Tempo des Anfangs - Moderato - Presto - Gehalten | | 28:44 |
| 4 | Symphony in G major, Hob. I:88: I. Adagio - Allegro | | 6:52 |
| 5 | Symphony in G major, Hob. I:88: II. Largo | | 6:19 |
| 6 | Symphony in G major, Hob. I:88: III. Menuetto | | 4:21 |
| 7 | Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito) | | 3:38 |
| Disc 31 |
| 1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde) | | 2:31 |
| 2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | | 2:29 |
| 3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde) | | 3:46 |
| 4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde) | | 2:51 |
| 5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | | 1:20 |
| 6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde) | | 6:52 |
| 7 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | | 4:18 |
| 8 | Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld | | 4:49 |
| 9 | Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend’ Messer | | 3:31 |
| 10 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz | | 5:52 |
| Disc 32 |
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | | 7:57 |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | | 7:24 |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace & Trio | | 3:52 |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | | 6:27 |
| 5 | Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of pleasant feelings upon arriving in the country (Allegro ma non troppo) | | 11:55 |
| 6 | Symphony No. 6 in F major, Op. 68, "Pastoral": II. Scene at the brook (Andante molto mosso) | | 13:26 |
| 7 | Symphony No. 6 in F major, Op. 68, "Pastoral": III. Peasants' Merrymaking (Allegro) | | 5:58 |
| 8 | Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Storm and tempest (Allegro) | | 4:08 |
| 9 | Symphony No. 6 in F major, Op. 68, "Pastoral": V. Shepherds' song – Happy and thankful feelings after the storm (Allegretto) | | 9:23 |
| Disc 33 |
| 1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | | 16:11 |
| 2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | | 17:22 |
| 3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace & Trio | | 6:30 |
| 4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto - Poco andante - Presto | | 12:17 |
| Disc 34 |
| 1 | Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace | | 10:39 |
| 2 | Symphony No. 4 in B-flat major, Op. 60: II. Adagio | | 11:49 |
| 3 | Symphony No. 4 in B-flat major, Op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro) | | 5:58 |
| 4 | Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo | | 7:37 |
| 5 | Tannhäuser: Overture | | 13:56 |
| Disc 35 |
| 1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | | 24:01 |
| 2 | Violin Concerto in D major, op. 61: II. Larghetto | | 9:41 |
| 3 | Violin Concerto in D major, op. 61: III. Rondo (Allegro) | | 10:31 |
| 4 | Romance for Violin and Orchestra no. 1 in G major, op. 40: Andante | | 7:39 |
| 5 | Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile | | 9:38 |
| Disc 36 |
| 1 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | | 11:51 |
| 2 | Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam) | | 5:22 |
| 3 | Symphony no. 4 in D minor, op. 120: III. Scherzo, Lebhaft | | 5:57 |
| 4 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | | 8:05 |
| 5 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | | 18:13 |
| 6 | Symphony in D minor, FWV 48: II. Allegretto | | 10:34 |
| 7 | Symphony in D minor, FWV 48: III. Allegro non troppo | | 10:44 |
| Disc 37 |
| 1 | Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo | | 16:01 |
| 2 | Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo | | 10:02 |
| 3 | Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto | | 11:40 |
| Disc 38 |
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | | 8:39 |
| 2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | | 11:22 |
| 3 | Symphony no. 5 in C minor, op. 67: III. Allegro | | 6:03 |
| 4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | | 9:49 |
| Disc 39 |
| 1 | Götterdämmerung: Act III. Siegrieds Trauermarsch | | 9:17 |
| 2 | Götterdämmerung: Prelude. Siegfrieds Rheinfahrt | | 12:01 |
| 3 | Don Juan, op. 20 | | 18:42 |
| 4 | Till Eulenspiegels lustige Streiche, op. 28 | | 16:13 |
| 5 | Les Préludes, S. 97 | | 15:40 |
| Disc 40 |
| 1 | Lohengrin: Act I. Prelude | | 9:57 |
| 2 | Der Freischütz, op. 77: Overture | | 10:48 |
| 3 | Euryanthe, op. 81: Overture | | 9:32 |
| 4 | Alceste: Overture | | 8:53 |
| 5 | Iphigénie en Aulide: Overture | | 10:15 |
| 6 | Leonore Overture no. 2, op. 72a | | 15:58 |
| Disc 41 |
| 1 | Matthäus-Passion, BWV 244: First Part. Hall ambience | | 1:12 |
| 2 | Matthäus Passion: Chor "Kommt, ihr Töchter' - Choral 'O Lamm Gottes unschuldig" | | 8:14 |
| 3 | Matthäus Passion: Rezitativ "Da Jesus diese Rede vollendet hatte" | | 0:54 |
| 4 | Matthäus Passion: Choral "Herzliebster Jesu" | | 1:40 |
| 5 | Matthäus Passion: Rezitativ "Da versammelten sich die Hohenpriester" | | 0:32 |
| 6 | Matthäus Passion: Chor "Ja nicht auf das Fest" | | 0:17 |
| 7 | Matthäus Passion: Rezitatif "Da nun Jesus war zu Bethanien" | | 0:38 |
| 8 | Matthäus Passion: Chor "Wozu dienet dieser Unrat ?" | | 0:37 |
| 9 | Matthäus Passion: Rezitativ "Da das Jesus merkete, sprach er zu ihnen" | | 1:57 |
| 10 | Matthäus Passion: Rezitativ "Du lieber Heiland du" | | 1:24 |
| 11 | Matthäus Passion: Arie "Buss' und Reu" | | 5:18 |
| 12 | Matthäus Passion: Rezitativ "Da ging in der Zwölfen Einer" | | 0:43 |
| 13 | Matthäus Passion: Arie "Blute nur, du liebes Herz!" | | 5:40 |
| 14 | Matthäus Passion: Rezitativ "Aber am ersten Tage" | | 0:16 |
| 15 | Matthäus Passion: Chor "Wo willst du" | | 0:28 |
| 16 | Matthäus Passion: Rezitativ "Er Sprach : Gehet hin in die stadt" | | 2:01 |
| 17 | Matthäus Passion: Choral "Ich bin's, ich sollte büssen" | | 1:31 |
| 18 | Matthäus Passion: Rezitativ "Er antwortete und sprach : Der mit der Hand" | | 4:09 |
| 19 | Matthäus Passion: Rezitativ "Wiewohl mein Herz in Tränen schwimmt" | | 1:53 |
| 20 | Matthäus Passion: Rezitativ "Und da sie den Lobgesang gesprochen hatten" | | 1:32 |
| 21 | Matthäus Passion: Choral "Erkenne mich, mein Hütter" | | 1:56 |
| 22 | Matthäus Passion: Rezitativ "Petrus aber antwortete und sprach zu ihm" | | 1:18 |
| 23 | Matthäus Passion: Rezitativ "Da kam Jesus" | | 2:12 |
| 24 | Matthäus Passion: Rezitativ "O Schmerz!" | | 3:07 |
| 25 | Matthäus Passion: Arie "Ich will bei meinem Jesu wachen" - Chor "So schlafen unsere Sünden ein" | | 6:24 |
| 26 | Matthäus Passion: Rezitativ "Und ging hin ein wenig" | | 0:57 |
| 27 | Matthäus Passion: Rezitativ "Der Heiland fällt" | | 1:33 |
| 28 | Matthäus Passion: Rezitativ "Und er kam zu seinen Jüngern" | | 1:36 |
| 29 | Matthäus Passion: Choral "Was mein Gott will" | | 2:03 |
| 30 | Matthäus Passion: Rezitativ "Da kam er zu seinen Jüngern" | | 2:41 |
| 31 | Matthäus Passion: Duett "So is mein Jesus nun gefangen" - Chor " Lasst ihn, haltet, bindet nich!" | | 4:43 |
| 32 | Matthäus Passion: Rezitativ "Zu der Stund' sprach Jesus zu den Sharen" | | 1:21 |
| 33 | Matthäus Passion: Choral "O Mensh, bewein' dein' Sünde gross" | | 8:27 |
| Disc 42 |
| 1 | Matthäus Passion: Arie "Ach, nun ist mein Jesus hin !" - Chor "Wo ist denn dein Freund hingegangen ?" | | 5:47 |
| 2 | Matthäus Passion: Rezitativ "Die aber Jesum gegriffen hatten" | | 0:42 |
| 3 | Matthäus Passion: Rezitativ "Und der Hohepriester stand auf und sprach zu ihm" | | 0:36 |
| 4 | Matthäus Passion: Rezitativ "Und der Hohepriester antwortete" | | 1:52 |
| 5 | Matthäus Passion: Rezitativ "Da speiten sie" | | 0:47 |
| 6 | Matthäus Passion: Choral "Wer hat dich so geschlagen" | | 1:43 |
| 7 | Matthäus Passion: Rezitativ "Petrus aber sass draussen im Palast" | | 1:21 |
| 8 | Matthäus Passion: Rezitativ "Da hub er an, sich zu verfluchen" | | 1:35 |
| 9 | Matthäus Passion: Arie "Erbarme dich, mein Gott" | | 9:00 |
| 10 | Matthäus Passion: Rezitativ "Jesus aber stand vor dem Landpfleger" | | 1:06 |
| 11 | Matthäus Passion: Choral "Befiehl du deine Wege" | | 2:00 |
| 12 | Matthäus Passion: Rezitativ "Aud das Fest aber hatte" | | 2:52 |
| 13 | Matthäus Passion: Rezitativ "Der Landpfleger sagte" | | 0:14 |
| 14 | Matthäus Passion: Rezitativ "Er hat uns allen wohlgetan" | | 1:42 |
| 15 | Matthäus Passion: Arie "Aus Liebe will mein Heiland sterben" | | 5:11 |
| 16 | Matthäus Passion: Rezitativ "Sie Schrieen aber noch mehr" | | 2:21 |
| 17 | Matthäus Passion: Rezitativ "Erbarm' es Gott!" | | 1:46 |
| 18 | Matthäus Passion: Rezitativ "Da nahmen die Kriegsknechte des Landpflegers" | | 1:23 |
| 19 | Matthäus Passion: Choral "O Haupt voll Blut und Wunden" | | 2:19 |
| Disc 43 |
| 1 | Matthäus Passion: Rezitativ "Une da sie ihn verspottet hatten" | | 1:00 |
| 2 | Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass) | | 0:46 |
| 3 | Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass) | | 9:23 |
| 4 | Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus) | | 2:21 |
| 5 | Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist) | | 0:15 |
| 6 | Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto) | | 2:33 |
| 7 | Matthäus Passion: Rezitativ "Und von der sechsten Stunde" | | 2:50 |
| 8 | Matthäus Passion: Choral "Wenn ich einmal soll schneiden" | | 2:34 |
| 9 | Matthäus Passion: Rezitativ mit Chor "Und sihe da, der Vorhang im Tempel zerriss in zwei Stück" | | 2:50 |
| 10 | Matthäus Passion: Rezitativ "Am Abend, da es kühle war" | | 2:37 |
| 11 | Matthäus Passion: Rezitativ "Une Joseph nahm den Leib" | | 0:39 |
| 12 | Matthäus Passion: Rezitativ mit Chor "Nun ist der Herr zur Ruh' grabracht" | | 2:40 |
| 13 | Matthäus Passion: Chor "Wir setzen uns mit Tränen nieder" | | 8:33 |
| Disc 44 |
| 1 | Tristan und Isolde: Akt I. Vorspiel | | 11:04 |
| 2 | Tristan und Isolde: Act I Scene 1. Westwarts schweift der Blick (A young sailor, Isolde, Brangane) | | 6:17 |
| 3 | Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal) | | 10:21 |
| 4 | Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne) | | 9:20 |
| 5 | Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus) | | 12:32 |
| 6 | Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne) | | 7:55 |
| 7 | Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde) | | 9:39 |
| 8 | Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus) | | 11:25 |
| Disc 45 |
| 1 | Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus) | | 7:36 |
| 2 | Tristan und Isolde: Act II. Prelude | | 2:44 |
| 3 | Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne) | | 12:36 |
| 4 | Tristan und Isolde: Act II Scene 2. Isolde! Geliebte!... Tristan! Geliebter! (Tristan, Isolde) | | 10:24 |
| 5 | Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde) | | 9:30 |
| 6 | Tristan und Isolde: Act II Scene 2. O sink hernieder, Nacht der Liebe (Tristan, Isolde) | | 5:49 |
| 7 | Tristan und Isolde: Act II, Scene 2: "Einsam wachend in der Nacht" | | 3:27 |
| 8 | Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde) | | 7:57 |
| 9 | Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne) | | 8:42 |
| 10 | Tristan und Isolde: Act II Scene 3. Rette dich, Tristan! (Kurwenal, Tristan, Melot) | | 2:10 |
| Disc 46 |
| 1 | Tristan und Isolde: Act II, Scene 3: "Tatest du's wirklich?" | | 7:52 |
| 2 | Tristan und Isolde: Act II, Scene 3: "Dies wunderhehre Weib, das mir dein Mut gewann" | | 6:12 |
| 3 | Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot) | | 10:06 |
| 4 | Tristan und Isolde: Act III. Prelude | | 7:22 |
| 5 | Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan) | | 10:54 |
| 6 | Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan) | | 11:05 |
| 7 | Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan) | | 3:23 |
| 8 | Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan) | | 11:19 |
| 9 | Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan) | | 8:35 |
| Disc 47 |
| 1 | Tristan und Isolde: Act III, Scene 1: "O Wonne! Freude! Ha! Das Schiff!" | | 3:30 |
| 2 | Tristan und Isolde: Act III Scene 2. O diese Sonne! (Tristan, Isolde) | | 3:51 |
| 3 | Tristan und Isolde: Act III Scene 2. Ich bin's, ich bin's (Isolde) | | 6:28 |
| 4 | Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke) | | 9:49 |
| 5 | Tristan und Isolde: “Mild und leise wie er lächelt…” (1952) | | 7:15 |
| Disc 48 |
| 1 | Fidelio, Op. 72: Overture | | 6:38 |
| 2 | Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | | 5:13 |
| 3 | Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | | 4:44 |
| 4 | Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | | 4:48 |
| 5 | Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) | | 3:01 |
| 6 | Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | | 7:23 |
| 7 | Fidelio, Op. 72: Act I, Scene II, No. 6. March | | 2:16 |
| 8 | Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) | | 3:24 |
| 9 | Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | | 4:59 |
| 10 | Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) | | 7:59 |
| 11 | Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" | | 7:25 |
| 12 | Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) | | 6:00 |
| 13 | Fidelio, Op. 72: Act I, Scene II, No. 10e. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) | | 2:45 |
| 14 | Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | | 4:47 |
| Disc 49 |
| 1 | Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction | | 4:05 |
| 2 | Fidelio, Op. 72: Act II, Scene I, No. 11a. Recitative "Gott! Welch Dunkel hier!" (Florestan) | | 7:31 |
| 3 | Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) | | 2:15 |
| 4 | Fidelio, Op. 72: Act II, Scene I, No. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) | | 4:40 |
| 5 | Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | | 6:42 |
| 6 | Fidelio, Op. 72: Act II, Scene I, No. 14a. "Vater Rocco!" | | 5:22 |
| 7 | Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan) | | 2:48 |
| 8 | Fidelio, Op. 72a: Leonore No. 3 | | 15:19 |
| 9 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists) | | 2:00 |
| 10 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille" (Don Fernando, Chorus) | | 4:43 |
| 11 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Du schlossest auf des Edlen Grab" (Don Fernando) | | 3:01 |
| 12 | Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) | | 4:03 |
| Disc 50 |
| 1 | Die Walküre: Akt I, Szene 1. Vorspiel | | 3:56 |
| 2 | Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde) | | 9:32 |
| 3 | Die Walküre, Act I Scene 1: Einen Unseligen Labtest Du | | 3:57 |
| 4 | Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding) | | 10:15 |
| 5 | Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding) | | 10:19 |
| 6 | Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund) | | 6:13 |
| 7 | La valquiria: Acto I. “Schläfst Du, Gast?” | | 6:54 |
| 8 | Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde) | | 10:13 |
| 9 | La valquiria: Acto I. “Wehwalt heißt du fürwahr?” | | 5:13 |
| Disc 51 |
| 1 | Die Walküre, Act II Vorspiel | | 2:04 |
| 2 | Die Walküre, Act II Scene 1: Nun Zaume Dein Ross, Reisige Maid! | | 2:53 |
| 3 | Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka) | | 10:22 |
| 4 | Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka) | | 7:35 |
| 5 | Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde) | | 10:03 |
| 6 | Die Walküre, Act II Scene 2: Eins Andres Ist's | | 10:56 |
| 7 | Die Walküre, Act II Scene 2: O Sag', Künde | | 7:33 |
| 8 | Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde) | | 11:47 |
| Disc 52 |
| 1 | Die Walküre: Akt II, Szene 4. “Siegmund! Sieh auf mich!” | | 9:39 |
| 2 | Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde) | | 10:35 |
| 3 | Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan) | | 9:14 |
| Disc 53 |
| 1 | Die Walküre: Akt III, Szene 1. Walkürenritt – “Hojotoho! Hojotoho!” | | 8:06 |
| 2 | Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde) | | 10:04 |
| 3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan) | | 9:56 |
| 4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan) | | 3:25 |
| 5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | | 10:12 |
| 6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | | 9:27 |
| 7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde) | | 2:54 |
| 8 | Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan) | | 8:01 |
| 9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | | 7:39 |
| Disc 54 |
| 1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | | 11:46 |
| 2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience | | 0:48 |
| 3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | | 12:12 |
| 4 | Kaiser-Walzer, op. 437 (Play-through - test recording) | | 10:23 |
| 5 | Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording) | | 8:42 |
| 6 | Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein) | | 5:12 |
| 7 | Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein) | | 4:48 |
| 8 | Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording) | | 9:02 |
| 9 | Tuning, buzzers and false starts | | 4:38 |
| Disc 55 |
| 1 | Wilhelm Furtwängler - A Memoir: Introduction - Overview | | 3:49 |
| 2 | Wilhelm Furtwängler - A Memoir: Berlin, 1930s | | 4:37 |
| 3 | Wilhelm Furtwängler - A Memoir: Conducting Technique | | 4:07 |
| 4 | Wilhelm Furtwängler - A Memoir: Europe, 1940s | | 6:28 |
| 5 | Wilhelm Furtwängler - A Memoir: Demands in Rehearsal | | 3:56 |
| 6 | Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results | | 13:46 |
| 7 | Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists | | 6:51 |
| 8 | Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording | | 1:49 |
| 9 | Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity | | 6:24 |
| 10 | Wilhelm Furtwängler - A Memoir: Final appearances | | 4:05 |
