| # | Title | Popular | Duration |
|---|---|---|---|
| 1 | Enter | 0:09 | |
| 2 | Entershift | 2:08 | |
| 3 | Chlorine | 4:22 | |
| 4 | Notes | 3:43 | |
| 5 | Articl | 4:03 | |
| 6 | Puls | 0:57 | |
| 7 | Lint | 2:49 | |
| 8 | (.) # 2 | 4:29 | |
| 9 | Subscript | 1:13 | |
| 10 | Intf B | 0:53 | |
| 11 | (.) # 3 | 10:09 | |
| 12 | Hiwave | 1:03 | |
| 13 | Pop | 1:34 | |
| 14 | (.) # 1 | 2:42 | |
| 15 | Empti | 0:26 | |
| 16 | Inter | 2:20 | |
| 17 | 10env | 2:02 | |
| 18 | Bit | 1:14 | |
| 19 | Plic | 0:23 | |
| 20 | Secint | 1:37 | |
| 21 | (.) # 4 | 3:00 | |
| 22 | Fop | 2:07 | |
| 23 | Endn | 0:22 |
Aurora terminalis
On Leaving
Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) / Recurrence.Expansion
Recurrence.Expansion
on a continuous form
Stase hivernale
Interreferences II
Interreferences
Continue
Something From the Pink House
Variable Dimensions
DUO
Central (For M.Vainio)
Removed
LINELEH I
LINELEH II
PRE (1-3)
Divertissement
Direct.Incidental.Consequential (Edition 2)
Subsequent Materials
Interior Field
Undefined
Aurora Liminalis
Recurrence
Built Through
Transparency (Performance)
A Field for Mixing
Fabrication 2
Untitled (angle.1)
Fabrication
Incidence
Specification.Fifteen
Levels (Inverted)
Current
Tracing
Kapotte Muziek by Chartier / Raton
Retrieval 1-5
Re’Post’Postfabricated
Set or Performance
[untitled]
Archival 1991
Two Locations
Overview
After
Of Surfaces
(For Morton Feldman)
Decisive Forms
Series
invalidObject Series (typeof)
SPEC.